While COVID-19 times pushed us to redefine relationships and desires, Salty Chéri and Manon Praline decided to play consciously with the power dynamics between filmmaker and performer: Salty set up three blind dates for Manon. Being uninformed about her partners or what would happen, she had to let go of expectations.

The protagonist chooses three cards in a tarot reading. Gradually, each card becomes an animation that leads to a new vignette of the movie and a new journey of self-discovery to explore.

An autobiographical short film about bugchasing, the intentional self infection with HIV. In the work author and director Martin Willibald Meisl deals with his memories and tries to explore his motivations. - When did the tendency towards self-destructive behavior arise and which ones can be seen? For that, he works with reenactments of artworks such as photos by Joel-Peter Witkin or Michaelangelo’s Pietá. A look at the later consequences of the decision is given. Discrimination, side effects of the therapy, and feelings towards the fresh infection. There is a clear change in his sexuality, and new positions taken.

Jamal Phoenix lets Sir Malice take the lead as he is bound. Having never been suspended, Jamal's anticipation and slight sense of fear are palpable. You never know how the world will feel when you release control. Every tie, every knot, every wrapping of the rope pushes Jamal deeper into submission. Sir Malice expertly weaves a web that supports and Jamal in a nest of security. As the pressure peaks, Jamal's body starts to lift off the ground. Weight, becomes weightless and pain gives way to pleasure.

UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.

AORTA films invites you behind the scenes and into our creative process for the first iteration of Hey Everybody Let’s Make A Porno! (or, HELMAP!) Veteran performers Bishop Black and Jamal Phoenix explore D/s through breath, gently but firmly putting Jamal’s limits to the test in a gorgeous demonstration of trust and control. An immersive performance with a live audience as part of Porny Days in Zurich, HELMAP explores the layers of intimacy, consent, identity, and voyeurism that go into creating an explicit film.

In his provocative new work of existential science fiction, Emre Busse invites his audience to question the meaning of “the gaze” as part of the post-human experience by replacing the eyes on the face with the orifice. This jarring visual and switch from the literal to the metaphorical leaves the protagonist to redefine his own human desires while reinventing his new self. In this new, surreal world of customizing sexual desires, one is left to question why they have been programmed to accept the bare minimum of their deepest desires in the first place!

Sir Malice and Jamal Phoenix continue their exploration from their previous film, Connection First. Sir Malice is a flogger-virtuose and Jamal’s perfect ass is the best receiver.

Freshly-fucked foodies dial up a special delivery

The air is hot and heavy with the smell of sex and leather after Daddy Anansi puts good boy Jamal Phoenix at his service. These two gear freaks unleash their desire for each other and transform this casual Sunday stroll into a kinky playground and space of worship.

The air is heavy with erotic tension when Jamal and Manon meet in this vivid and stylish t4t tableau. Our duo begins a breath play slow-dance as Manon teases Jamal with a thin bag, dipping the silky plastic into his mouth and over his nose, catching his breath. Adding layers of plastic, Manon smothers her plaything with her fingers, tits, and cunt as Jamal gasps for air. When Manon straps a cock to Jamal’s mouth, he dutifully fucks Manon before offering up his hole to her in an electrifying crescendo.

For the final installment in his GODASSES trilogy, Emre Busse conspires with trans porn talent Jamal Phoenix to redefine the desirable body outside of a hegemonic society’s normative restrictions and, because of the specific relationship that pornographic images have to their audience, fuck with a viewer’s assumed self-assurance as being a coherent sexual subject.

Part doc, part pornography, “Mes Chéris” is a transboi’s farewell to his boobs. This raunchy tribute subverts straight porn tropes and mainstream trans* representation in a radical act of self-love.

Horny Pizza orders up a Hungry Boy.

A retro "hot lazy summer" vibe, a chrome sex toy, a memory. Jamal remembers the first porn he made in over a decade ago.