Rachida, a young and self-assured teacher at an elementary school, becomes the target of terrorists when she refuses to place a bomb in her classroom. This acclaimed debut feature offers a unique glimpse into the lives of ordinary citizens in Algeria, where terrorism was commonplace during the civil conflict of the 1990s.

This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.

The daily life and tribulations of colorful residents in the millennial popular district of the Casbah of Algiers.

An Algerian secret agent has to destroy an undercover paramilitary organization that plans to strike against the country and its people.

Zine and Rayanne plan to flee to a dreamland, a fantasy haven on the north shore of the Mediterranean. The crossing is commonly made in fishing boats and other small craft; hundreds of harragas die each year. Zine embarks for Spain with a group of others, while Rayyane decides to stay back to raise more money for the crossing - which involves tricking his uncle into lending him money under the pretense of running a local business. But, like so many other working poor around the world, Rayanne refuses to weigh the danger against the prospect of a better world.

At a dangerous time in Algeria, 'Douar de Femmes' is a story of ordinary women who manage to defend themselves in extraordinary situations. The film focuses on a small village that has been attacked more often by terrorists from the surrounding mountains. While the men work, the women learn how to handle machine guns and explore the area. “Fear has armed us,” says the young woman Sabrina. But despite that fear, people get married, children come and keep watch.

An Algerian social satire that tells the story of Boujemaa, who marries a second wife in addition to his first wife, who is ill and with whom he has a son and a daughter. Living all under the same roof, the new wife imposes her authority in the house. The lives of the family members are then turned upside down.

Hady is chosen to work on a documentary about Saint Augustine. As he starts researching his life and philosophies that changed the Western world and culture, he finds incredible similarities with his own life.

The feature film “The seven ramparts of the citadel”, a fiction recounting the conflict between an Algerian family expropriated from its land and a bloodthirsty settler; by director Ahmed Rachedi. Adapted from the eponymous novel by Mohamed Maarafia, the film, whose plot begins in 1954, tells the story of two characters, Thebti and Lucien, “the fellaga and the colonist”, a story of crossed destinies. “After having engaged in a fight to the death, after having both traveled a long path of embers, (they) finally find themselves face to face and above all each face to themselves”.