When novelist Ohm Bauman retreats to a remote inn to scatter his parents' ashes, he is consumed by tales of a witch haunting the honeymoon suite. Disturbing visions and a shocking disappearance forces him to confront dark corners of his past.

After the brutal murder of her twin sister, Darcy goes after those responsible by using haunted items as her tools for revenge.

A lone drifter suffering from partial memory loss accepts a job to look after a psychologically troubled woman in an abandoned house on an isolated island.

A woman reaches through a transom window over a locked door, straining into the darkness for the light switch beyond.

In 2003 Chris O'Neill spent a period of time in New York City where he shot several films on black and white 16mm film stock. One of these pieces was a silent narrative piece. 15 years later, O'Neill went back to this footage and created an entirely different film using out-takes. The conventions of the narrative are discarded as the images are re-edited into style inspired by the 'cut up' technique pioneered by author and filmmaker William S. Burroughs.