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The epic film is based on the motifs of Vilis Lācis' novel "The Zītari Family". The tragedy of the Zītari family is a model of Latvian national history. With the beginning of World War I, the patriarchal way of life of Captain Andrejs and his wife Alvīne, their children Kārlis, Ings, Ernests, Elza and Janka changes, with years spent at work and in rare, modest celebrations. Kārlis voluntarily goes to the front, Ingus disappears without a trace on long sea voyages. Not wanting to live in the territory occupied by the German army, the Zītari evacuate to the distant Altai region. The unusually difficult living conditions and the drastically changing political situation of the post-revolutionary period also affect each member of the Zītari family. When the opportunity arises to return to Latvia, Andrejs and Alvīne are no longer among the living. The old sailor's nest has collapsed and the young Zītari are no longer able to preserve their father's house - all the property is stolen.

Screenwriter Vasiliev became interested in the fate of Lapinsh, the former captain of the supertrawler "Malachite." Lapinsh was removed from his position and stripped of his captain’s license after an accident that occurred more than six months ago—the supertrawler "Malachite" ran aground. The case was examined by the court. In search of the truth, Vasiliev followed the trail of these dramatic events...

Drowning in unpaid bills, an actress-slash-waitress hatches a plan to rob her workplace. When the heist goes wrong, she must give the performance of a lifetime to clear her name.

A young couple of biologists and their two children move from Riga to a nature reserve where they're provided with an old country cottage. They start to repair the cottage and feel at home, but the former owner of the house suddenly returns from Canada. When he realises that the present inhabitants have kept the spirit of the place alive, he gives up his rights to the cottage. The film then concentrates on him coming to terms with his memories of his time as a guerilla, when he found his first love, his 'sister-in-arms', who betrayed him fifty years ago. The film also investigates the relationship between the young biologists and nature, and the process of reaching adulthood. The title of the film, The Nest, stands for the surroundings of living nature (the forest, the marshes, the coast) and more generally for the small fatherland that has to maintain its position among great powers such as Russia, Germany and America: countries that largely shape the fate of the characters.

Suddenly, Peter, sitting in his tractor, wins a radio competition for a potato variety. He turns his back on his wife and rides the tractor into town to collect his prize. Peter's journey becomes more important than the original destination - it resolves his relationship with his wife.