In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.

It is a hot, humid and sticky night. Inés, a woman in her forties, is driving through the city of Buenos Aires towards the Buenos Aires suburbs. She is on her way to spend Christmas with her brother's in-laws whom she does not know. During these hours of family siege, Inés faces the questions that open up about her life decisions, reevaluating her choices.