A young woman living with cerebral palsy discovers newfound independence and self-acceptance through her encounters with a specialized organization that helps people with disabilities explore their sexuality.

Anyone who has anything to do with the film industry in Hong Kong, must have heard of a film buff called Lil’ Kim. He knows everything there is to know about filmmaking. Whether it’s on the set, at the movie premiere or at a press conference, he always shows up uninvited. Nobody knows where he came from and why he showed up… Ginger Keung is the producer of a reality show who suspects Lil’ Kim is in fact a film critic who pans movies to extort advertising dollars from film companies. She zeroes in on Lil’ Kim as her next target and decides to dig into his elusive past…

A movie production company executive decided to produce the sequel of the acclaimed dance movie "The Way We Dance", but it's not directed by the original director.

Actress and dancer Hana is becoming a reluctant star while finishing her studies, Dave is doggedly pursuing his dance dreams and Leung is busy with online influencer work, and their pal Heyo is dallying with mainstream success as a rapper. But tension arrives as they and the rest of their crew are asked to promote an urban renewal project.

Fish, an aspiring painter, leaves the safe haven of home and moves into a dwelling unit inside an industrial building. Carrying a mixed bag of ambivalence and possibilities, her new independence shares the upsides and downsides of a subsistence living in the enclave of artists and musicians, where the strains of life – dissatisfaction with the government and an ever-looming threat of eviction – are tempered by a healthy dose of optimism and humour. The habitat of Fish and company may not be the land of la dolce vita but it’s an oasis of dreams in a desert of reality, however transient and haphazard.