Karlag, short for Karaganda Corrective Labor Camp, was one of the largest labor camps within the Soviet Gulag system. Established in 1931, it was located in the Karagandy Region of Kazakhstan. The film will explore the hardships faced by people during the 1930s-1950s and the resilience of human dignity despite the daily struggle for survival. The atmosphere of Karlag will be conveyed through costumes, props, and sets created after extensive research in archives and museums.

Kazakhstan, January 2022. Protests are shaking the entire country. Five ordinary people become caught up in these events and face difficult life choices. Their stories come together, showing how one person’s drama turns into a national tragedy.

In the 16th century, during the Kazakh Khanate, Kasym Khan was the fourth ruler, often viewed as the greatest leader to unite the Kazakh tribes.

A universal story about the freedom of the human spirit and the struggle against slavery and despotism, about love, loss and betrayal. It is seen through the eyes of simple Kazakh kids and teenagers.

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This film is a gratitude to the Kazakh Koreans, Germans, Turks, Chechens, Kurds and other peoples of this land and the Kazakh people, who met them with due attention and sympathy, despite their incredible difficulties after the jute of the 30s. For these peoples, our country has become a real Homeland.

Zhuldyz, gambling addict, is forced to choose between her addiction and her son. A young psychologist with an unconventional approach helps guide her toward the right decision. This inner journey becomes a painful but necessary step on her path to healing.

The film focuses on the evacuation of people from the regions of the USSR at risk of Nazi occupation to the eastern parts of the country. At the time Kazakhstan received around 1.5 million people and it is still the home for many of them. Two protagonists – Natalia and her daughter Galya – move east with the rest of the evacuees. In the chaos at one of the railway stations, Natalia loses sight of her daughter and goes to look for her in Almaty, which is overcrowded with evacuees.

A new project of Kazakhstani cinematographers under the general direction of Yegor Konchalovsky, which is a feature film. It consists of 10 unrelated film novellas directed by different directors. In its form, the project repeats the French "Paris, I love you", the American "New York, I love you", the Russian "Moscow, I love you!".

An English correspondent arrives in Astana to interview the named Leader of the Nation Nazarbayev. Nazarbayev is hosting an English guest. The interview turns into Nazarbayev's story about life, fate and the difficult path of gaining independence. The President introduces the writer to local customs, at the same time telling about the most difficult periods of his life, from his appointment in 1984 as chairman of the Council of Ministers to becoming President of the Republic of Kazakhstan in 1991.

The film follows the true life story of one of China's greatest composers, Xian Xinghai. The start of the Soviet Union's Great Patriotic War against Nazi Germany in 1941 made it difficult for Xian to return to China. He was stranded in Almaty, suffering poverty and sickness. Kazakh composer Bakhitzhan Baykadamov then helped Xian, providing him with a home, despite not knowing his true identity since Xian was then using an alias. There Xian put down roots and composed some of his most famous works.

A tragedy strikes at a city school when a top-performing 10th grade student suddenly dies. School officials believe a dangerous social media game is to blame. A police major, who lost his own daughter under similar circumstances, launches a personal investigation to uncover the truth.

The character of the end 80-s, fascinated by music, socially and nationally mixed up in a Kazakh neighborhood. Among them is a Kazakh teenager who unexpectedly falls in love with a girl of Russian-Polish roots. The age and national differences become an almost insurmountable obstacle for the main character, manifested through his friend who is a rival as well as a friend, a Russian guy - the leader of the courtyard band.

When the Soviets impose new ways of collective farming and permanent settlements on a region of nomadic dwellers, young Ilyas is separated from his mother, Mariam. Through decades of war, mother and son persevere in their efforts to be reunited.