Shine on Harvey Moon! is a British comedy-drama series made by Central Television for ITV from 8 January 1982 to 23 August 1985 and briefly revived in 1995 by Meridian. This generally light-hearted series was created by comedy writers Laurence Marks and Maurice Gran. The series is set in the East End of London shortly after the Second World War. Upon being demobbed RAF serviceman Harvey Moon, played by Kenneth Cranham, returns home and finds his family involved in various troubles. His wife Rita, played by Maggie Steed, is not interested in resuming their relationship, and works in a seedy nightclub frequented by American servicemen. He becomes involved with the Labour Party and the union movement. The name of the series is a wordplay on the title of the popular 1908 song 'Shine On, Harvest Moon'. The first series was commissioned and recorded by ATV at their Elstree studios with the remaining series filmed at newly constructed facilities in Nottingham.

Sarah Thompson, an American visiting England, meets and marries William Whitfield, the Duke of Whitfield. They settle in a chateau in France and begin a family. World War II interrupts their happiness and alters their future. After the war, the family helps war survivors by buying their jewelry and eventually opens a jewelry store, which rapidly becomes a success. But conflicts abound as new generations arise and forces from both outside and within threaten the store and the family.

Hell's Bells is a 1986 British sitcom produced by BBC Television starring Derek Nimmo as traditionalist Dean 'Selwyn' Makepeace, who finds himself consistently at loggerheads with modernising new Bishop Godfrey Hethercote.

Sons and Lovers is a 1981 BBC television serial based on the D. H. Lawrence book Sons and Lovers. It starred Eileen Atkins, Tom Bell, Karl Johnson and Lynn Dearth. It was adapted by Trevor Griffiths and directed by Stuart Burge. It aired in the US as part of the PBS's Masterpiece Theatre program in 1982.

An adaptation for television by Trevor Griffiths of DH Lawrence's classic novel

The true story of Catherine Dunbar's struggle with anorexia, that began when she was 15.

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.