The Adventurer is an ITC Entertainment TV adventure series created by Dennis Spooner that ran for one season from 1972 to 1973. It premiered in the UK on 29 September 1972. The show starred Gene Barry as Gene Bradley, a government agent of independent means who poses as a glamorous American movie star.

Growing up in the sheltered confines of a 1920s English coal-mining community, free-spirited sisters Gudrun and Ursula explore erotic love with a wealthy playboy and a philosophical educator, with cataclysmic results for all four.

Nicholas Nickleby, a young boy in search of a better life, struggles to save his family and friends from the abusive exploitation of his coldheartedly grasping uncle.

When a government official disappears in the London tunnels, after several reports of missing people in the same location, Scotland Yard start to take the matter seriously, along with a couple who stumble into a victim by accident.

Adaptation of Stella Gibbons's comic novel of the same name. Following the death of her parents, 20-year-old Flora Poste (Sarah Badel) finds herself alone with insubstantial means in 1930s London. Fascinated by the little she knows of her distant relatives the Starkadders of Cold Comfort Farm in Sussex, she goes to stay with her aunt Judith Starkadder (Rosalie Crutchley) and a colourful array of cousins. There she finds a variety of earthy, passionate relations, dominated by Great Aunt Ada Doom (Fay Compton) who long ago saw "something nasty in the woodshed" and now holds the rest of the household in thrall. Flora decides to put to rights the lives of all of them.

Spirited American heiress Isabel Archer travels to Europe, where she navigates a complex web of relationships, ultimately committing to a fateful marriage to the charming but cruel Gilbert Osmond. This leads to profound disappointment and a tragic realisation of her own choices.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

The story of a young student in Budapest during the 1900s.

A mother and daughter hatch a scheme to murder their family's domineering and sadistic patriarch.

Hélène Noris, a young Belgian woman from a bourgeois family, is haunted by a past affair with Tamara — now married to her father. Torn between desire and resentment toward Tamara’s conformist life, Hélène feels alienated in the provincial world she inhabits. To boost his social image, her stepfather René invites Parisian director Jean Gerfaud to stage an avant-garde version of Tartuffe. Tamara flirts with him, but Hélène seduces him first. A passionate, destructive affair begins, entangling love, jealousy, and ambition. When the play’s scandalous premiere sparks outrage, Jean marries Hélène, provoking Tamara’s fury. Yet Hélène, restless and defiant, betrays him with a soldier. In rage and humiliation, Jean confronts her in the “red room,” the space that once embodied their love and now their ruin.

London in the 1870s is gripped in a fever of speculation. The latest figure to emerge at the centre of this scene is Augustus Melmotte, a man reputed to possess a large fortune.

A film biography by David Jones with Freddie Jones as John Clare "I am - yet what I am, none cares or knows" (John Clare) John Clare (1792-1864), farm labourer, had three obsessions: his youthful love for Mary Joyce, the countryside of his native Northamptonshire, and the need to celebrate both in his poetry. Clare cracked under the increasing strain of poverty and neglect, and spent the last 23 years of his life in Northampton General Lunatic Asylum. He imagined himself to be Lord Byron, a bigamist, and a prize-fighter; but the poems of his madness are perhaps the most remarkable he ever wrote. "Clare's asylum foretells our need for an asylum, his deprivation foretells our deprivation" (Geoffrey Grigson) Commentary spoken by Tony Church (from BBC Midlands) (David Jones and Patrick Stewart are members of the Royal Shakespeare Company; Tony Church appears by permission of the Northcott Theatre, Exeter)

Anna can't seem to help ending up with the wrong partner in a line of disastrous affairs. Her hope now lies with a young man from the pop music scene.