In the empty city of Tel Aviv during the pandemic two strangers cross paths. Their small flirtation hits the most graceful of pandemic humor notes and ends with a satisfying (for those who are bloodthirsty) twist.

Natalie (17), a Russian immigrant and her friend Amir (19), a Palestinian director, are engaged in art, identity and sexuality. As they work on a TV report about the upcoming '96 elections, two young Russians offer new insight as possibilities arise.

Orr and his father planned to go on a trip, but when his father doesn't return home from work Orr goes looking for him. In his journey he is exposed to the city's alienated streets, to the desires and games of the people who live in it.