Acclaimed war journalist Guy Foster finds himself in the company of odd and sinister people after getting engaged to the mysterious Melissa McKensie. Soon, he'll become a suspect in a series of grisly murders and will have to solve them to clear his name.

Rowan's life spirals when Finn is coerced into a botched drug deal by a local gang. With Finn's life on the line and a violent gang leader encroaching on her life, Rowan is faced with recouping the money that Finn lost.

When a normal meal takes a turn for the surreal, Lea enters a world completely different to her own where floating buildings and odd creatures are commonplace. Will she return to her world or has a part of her been lost forever?

In 2007, Gillian Wearing placed an advert – in newspapers, online, in job centers, and elsewhere. It read: “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” Of the hundreds of people who replied, seven – chosen through an extended process of auditions, interviews, and workshops – ended up appearing in Self Made. Of those seven, five in particular use the acting technique known as Method to delve into their memories, impulses, anxieties, fears, fantasies, and inner resources to create a series of individual performance vignettes, their personal ‘end scenes’, that reveal with particular intensity and clarity who they really are deep down – or who, in another version of their lives, they might easily have been.