Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

Detective Mandżaro and his Warsaw crime unit deduce the hidden design linking apparently unrelated crimes, and a city-wide conspiracy is exposed.

City of Warsaw, Poland, August 1st, 1944. Citizens have experienced inhuman acts of terror and violence during five long years of Nazi occupation. As the Soviet Army relentlessly approaches, the youngest and bravest among them rise up as one and face tyranny fighting street by street, but the price to pay will be high and hard the way to freedom…

Adam Kruk, a 40 year old police officer addicted to painkillers and psychotropic drugs, returns to the town he grew up in to find the paedophile who abused his friend Slawek years ago. Once there, he is unexpectedly called to investigate a new case: the kidnapping of a powerful man's grandson, which he undertakes to help set him free from his past mistakes. As he was unable to protect Slawek, he sees this case as a second chance to protect a child and an opportunity for justice. Adam must control the darkest corners of his mind to solve the kidnapping and as the case unfolds, he discovers answers which will reveal an unexpected link between these two cases.

The screening of a movie "Daybreak" at the "Liberty" Cinema is interrupted by an unusual event - actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur.

Powerful clutches, full concentration, sweat, a blanket and a bicycle. No head start. Two brothers and two paths that cross one evening, extremely important for the younger one. Kuba is preparing for his first half-professional wrestling fight. Unexpectedly, his elder brother comes to his aid. However, his intentions are not entirely selfless.

A recently resurrected corpse recounts his life story, focusing on his strange relationship with a murderous alter-ego.

A recovering alcoholic on a pilgrimage meets two young refugees who are trying to find their father. Their struggles during the trip from Poland to France will forever change their lives.

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.

Agnieszka Jaskolka returns with her daughter to her hometown to reconcile with her father. The trip will be a journey back in time to her childhood years.