Peter Gunn is an American private eye television series. Filmed in a film noir atmosphere and featuring Henry Mancini music that could tell you the action with your eyes closed, Peter Gunn worked in style. Known as Pete to his friends and simply as Gunn to his enemies, he did his job in a calm cool way.

Newspaper reporter Tim O'Hara finds a crashed alien spaceship that contains one live alien. Not wanting to be discovered by the authorities, the Martian assumes the identity of Tim's Uncle Martin and begins to repair his spaceship so that he can return to Mars.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

The Magician is an American television series that ran during the 1973–1974 season. It starred Bill Bixby as stage illusionist Anthony "Tony" Blake, a playboy philanthropist who used his skills to solve difficult crimes as needed. In the series pilot, the character was instead named Anthony Dorian. The name change was due to a conflict with the name of a real life stage magician.

Gunslinger was a Western television series starring Tony Young that aired on the CBS television network from February 9 until May 18, 1961 on Thursdays from 9 to 10 p.m. EST. The series theme song was sung by Frankie Laine. Young played Cord, a young gunfighter who works undercover for the local army garrison commander, acting as a secret law enforcement agent in the territory. The series lasted for only twelve episodes. Gunslinger was the successor to Dick Powell's Zane Grey Theater.

Blondie is the first of two TV series based on the comic strip of the same name. It first aired on January 4, 1957, on NBC. Although Penny Singleton had starred in most of the Blondie movies, producers chose Pamela Britton for the title role, with Arthur Lake playing the role of Dagwood Bumstead as he had in the Blondie movie series. A pilot episode was filmed in 1954 with Hal Le Roy as Dagwood opposite Britton's Blondie. The DVD for the 1957 version of Blondie was later released but only includes the first three episodes.

A group of travelers from the United States race through seven European countries in 18 days.

Two sailors on shore leave head out for four days of partying – only to become involved in the affairs of an aspiring singer and her precocious nephew.

Frank Bigelow is about to die, and he knows it. The accountant has been poisoned and has only 24 hours before the lethal concoction kills him. Determined to find out who his murderer is, Frank, with the help of his assistant and girlfriend, Paula, begins to trace back over his last steps. As he frantically tries to unravel the mystery behind his own impending demise, his sleuthing leads him to a group of crooked businessmen and another murder.

A cinematic experience by Douglas Gordon - in which the film D.O.A. is screened simultaneously on three screens beside one another, but at slightly different speeds. The films quickly fall out of synch with one another. Déjà-vu uses footage from D.O.A. 1949-50, a Hollywood thriller directed by Rudolph Mateé. The film has been transferred to video and is projected simultaneously on three parallel screens at normal speed as well as slightly faster and slightly slower - 25, 24 and 23 frames per second (left to right). This has the effect of making the three identical narratives diverge increasingly over time, and inducing in the viewer an experience similar to déjà-vu.

At a mayors convention in San Francisco, ex-longshoreman Steve Fisk meets Clarissa Standish from New England. Fisk is mayor of "Puget City" and is proud of his rough and tumble background. Standish is mayor of "Winona, Maine", and is equally proud of her education and dedication to the people who elected her. Thrown together, the two opposites attract and their escapades during the convention get each of them in hot water back home. Written by Ron Kerrigan

A photographer falls for a rich girl and gets mixed up with crooks.

Shemp is a sick man, suffering from hallucinations. His worst vision is that his ugly nurse Nora is actually beautiful. When Moe and Larry come to take him home from the sanitarium, they discover he's become engaged to Nora. On the way to Nora's apartment for the wedding, the boys get in a fight with a stranger who promises to get even with them if he ever sees them again. They arrive to finding Nora waiting for her father, who, when he arrives, turns out to be the man they just fought with.

Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. It's received by "Wolf" Larson, who immediately throws it away, but his sensitive, dreaming--and short--buddy John McPherson snags it, and begins a correspondence with Evie, pretending to be Wolf. But things get complicated when Evie wants to meet her tall, handsome soldier. And even more complicated when Wolf sees Evie and likes what he sees.