The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

The Red Skelton Show is an American variety show that was a television staple for two decades, from 1951 to 1971. It was second to Gunsmoke and third to The Ed Sullivan Show in the ratings during that time. Skelton, who had previously been a radio star, had appeared in several motion pictures as well. Although his television series is largely associated with CBS, where it appeared for more than fifteen years, it actually began and ended on NBC. During its run, the program received three Emmy Awards, for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in 1961.

The series initially starred veteran movie supporting actor Ward Bond as the wagon master, later replaced upon his death by John McIntire, and Robert Horton as the scout, subsequently replaced by lookalike Robert Fuller a year after Horton had decided to leave the series. The series was inspired by the 1950 film Wagon Master directed by John Ford and starring Ben Johnson, Harry Carey Jr. and Ward Bond, and harkens back to the early widescreen wagon train epic The Big Trail starring John Wayne and featuring Bond in his first major screen appearance playing a supporting role. Horton's buckskin outfit as the scout in the first season of the television series resembles Wayne's, who also played the wagon train's scout in the earlier film.

The Rifleman is an American Western television program starring Chuck Connors as rancher Lucas McCain and Johnny Crawford as his son, Mark McCain. It was set in the 1880s in the town of North Fork, New Mexico Territory. The show was filmed in black-and-white, half-hour episodes. "The Rifleman" aired on ABC from September 30, 1958 to April 8, 1963 as a production of Four Star Television. It was one of the first prime time series to have a widowed parent raise a child.

The Maverick boys - Bret, Bart, Beau and Brent - are a clan of well-dressed dandies, gamblers who'd much rather make their money playing cards than messing up their fine clothing with actual work. Sly and clever, none of the Mavericks are much for acts of derring do, but they can be courageous when the situation calls for it. Most often, however, they live by their wits and considerable charm.

Cuban Bandleader Ricky Ricardo would be happy if his wife Lucy would just be a housewife. Instead she tries constantly to perform at the Tropicana where he works, and make life comically frantic in the apartment building they share with landlords Fred and Ethel Mertz, who also happen to be their best friends.

Revolves around typical family problems, such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children.

Jed Clampett's swamp is loaded with oil. When a wildcatter discovers the huge pool, Jed sells his land to the O.K. Oil Company and at the urging of cousin Pearl, moves his family to a 35-room mansion in Beverly Hills, California.

Family man Jim Anderson copes with the everyday problems among his wife Margaret and their three children as they experience day-to-day changes.

The Life and Legend of Wyatt Earp is a television western series loosely based on the life of frontier marshal Wyatt Earp. The half-hour black-and-white program aired for 229 episodes on ABC from 1955 to 1961 and featured Hugh O'Brian in the title role.

The tale of trail boss Gil Favor and his trusty foreman Rowdy Yates as they drives cattle across the old west. Along the way they meet up with adventure and drama.

The Bradley family are proud owners of the Shady Rest Hotel. Kate and her three young daughters do the job of running the hotel.

Diego de la Vega, the son of a wealthy landowner, returns from his studies in Spain and discovers that Los Angeles is under the command of Capitan Monastario, a cruel man who relishes in the misuse of his power for personal gain. Knowing that he cannot hope to single-handedly defeat Monastario and his troops, Diego resorts to subterfuge. He adopts the secret identity of Zorro, a sinister figure dressed in black, and rides to fight Monastario's injustice.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

An inquisitive and often naïve boy, Theodore 'The Beaver' Cleaver, has adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver's parents, June and Ward Cleaver, and Tony Dow as Beaver's brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

Special Agent Eliot Ness and his elite team of incorruptible agents battle organized crime in 1930s Chicago.

Burns and Allen, an American comedy duo consisting of George Burns and his wife, Gracie Allen, worked together as a comedy team in vaudeville, films, radio and television and achieved great success over four decades.

The Lone Ranger is an American western television series that ran from 1949 to 1957, starring Clayton Moore with Jay Silverheels as Tonto. The live-action series initially featured Gerald Mohr as the episode narrator. Fred Foy served as both narrator and announcer of the radio series from 1948 to its finish and became announcer of the television version when story narration was dropped there. This was by far the highest-rated television program on the ABC network in the early 1950s and its first true "hit".

A satirical inversion of the ideal of the perfect American nuclear family, they are an eccentric wealthy family who delight in everything grotesque and macabre, and are never really aware that people find them bizarre or frightening. In fact, they themselves are often terrified by "normal" people.