Wealth, lust, and betrayal set in the backdrop of Regency era England, seen through the eyes of the powerful Bridgerton family.

Aboard the mega cruise ship Sacramentum, 20-year-old new recruit, Jamie, infiltrates the 3000-strong crew in a desperate race to find his missing sister. She was working aboard the same vessel on a previous tour and vanished mid-charter.

Follow the misadventures of 11-year-old Joe Connolly and his three best friends in their first year at O’Malley Middle School.

An Imperial Shrine World in the Pariah Nexus has been invaded by the Necrons. The invaders have emerged triumphant and only a few pockets of surviving imperials remain to resist the invading Xenos.

The Tithes is a three-part Warhammer animation anthology. It’s composed of three self-contained stories that each shine a different light on an interesting and little-explored slice of this vast, dystopian setting: The Imperial Tithe.

Reader, I think you know who is most quotable. Charlotte Brontë has a confession about how one sister became an idol, and the other became known as the third sister. You know the one. No, not that one. The other, other one… Anne. This is not a story about well-behaved women. This is a story about the power of words. It’s about sisters and sisterhood, love and jealousy, support and competition. Directed by Northern Stage Artistic Director Natalie Ibu (The White Card), Sarah Gordon’s (The Edit) new play is an irreverent retelling of the life and legend of the Brontë sisters, and the story of the sibling power dynamics that shaped their uneven rise to fame. A co-production from National Theatre and Northern Stage

Heena, on the brink of breakdown and desperate to get out of her soul-less, money driven job, goes on a midweek pub session with her co-workers where they all descend into animalistic chaos. The next day she decides to quit but is announced recruiter of the year.