The story of the war film is about paths of the Estonian Shooting Corps (formed by the Red Army) during the WW-2 and how the fight forms an usual man to a loyal soldier. Ideologic aspects of the movie are more hidden than in ordinary Soviet war films but they're still existing.

The coastal people of Kaugatoma set out to build their own ship to earn a living independent of the baron's will. The baron does everything to prevent the venture, but still "Kaugatoma" raises its white sails. Unfortunately, the power of money turns out to be decisive both in the organization of joint activities and in the relations of the strong-natured captain Tõnis Tihu with the community and his loved ones. He abandons Liisu, with whom he has a son, and marries a wealthy widow. As a captain, he has the power to look after the welfare of the sailors, but he thinks more about his own safety. However, the winds of 1905 are already blowing over the sea.

It is the year 1947. The war is over but Estonian forests are still hiding armoured men. When the message comes that Western spies will arrive to support the local bushwhackers, security officer Rein Taim starts to lead the counter operation of the Communist Secret Police in order to catch the Western diversionists and the leader of the Estonian bushwhackers.

Arabella is a daughter of the world's most terrifying pirate captain. She loves her father but also dreams about a life of a usual girl. One day a weird stranger is saved from the sea who will be the only friend of Arabella. At the same time a rival pirate called Raudpats plans to kidnap the girl. Will she be safe and can she ever live a normal life?

A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love. Ten-year-old boy Jaanus is in love with Eva, a girl a few years older than him, from whom he wants to buy a puppy. The puppy is like an unattainable dream, like a first love. Aare Tilga's debut film is based on Mart Kivastik's short story of the same name and was Tilga's diploma thesis at the Moscow Cinema Institute, supervised by Eldar Ryazanov.