A street vendor with a grim home-life forges a connection with a young woman on her way to Paris.

This documentary turns the spotlight on an overlooked component of filmmaking: the art of foley through the perspective of Taiwan’s most experienced master, Hu Ding-yi. Hu has worked tirelessly for decades in his studio, manually recreating diegetic sounds (sounds whose source are visible on screen) using his large collection of everyday objects. Through the artisan’s eyes, Wang Wan-jo’s timely documentary looks back at the golden age of Taiwanese cinema and examines the new dynamics of the Greater China film industry. Hu received the Lifetime Achievement prize at the 2017 Golden Horse Awards.

Combine animal rights, vegetarianism, feminism, lesbian, gay, male sex, Mozi, Hu Shi, Liang Qichao, Zhang Xiuya, Zhang Ailing.. with their own parrots, quails, little white birds, swallows, birds, rabbits in many households , cats, dogs... intertwined.

In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.

A wife needs to face not only the gradual deterioration of her husband's condition but also the complicated relationship between the daughter who was released from the prison on parole and the secret which was detonated after the old friend was back.All of the incidents make each other stuck into a family storm.