The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.

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The Dick Cavett Show has been the title of several talk shows hosted by Dick Cavett on various television networks.

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

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CBS Playhouse is an American anthology drama series that aired on CBS from 1967 to 1970. Airing twelve plays over the course of its run, the series was nominated for a number of awards and featured many noteworthy actors and playwrights.

The Hazel Scott Show was an early American television program broadcast on the now defunct DuMont Television Network. The series ran during the summer of 1950, and is most notable for being the first U.S. network television series to be hosted by a African American woman.

Vallois, a vice inspector for the Paris police, takes special interest in the plight of drug-addicted Lucky (Najda Tiller), whom he considers to be more victim than criminal. Taking it upon himself to wean Lucky away from narcotics, Vallois also wins her love -- and, incidentally, smashes the dope ring responsible for her addiction.

A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.

Fictionalized biography of George Gershwin and his fight to bring serious music to Broadway.

Back from Indochina, Tony and Dick, two French soldiers, are now in possession of more than 20 million, entrusted by a trafficker. They buy a nightclub in the district of Montparnasse but are soon hunted by the thug who wants to recover his money.

Constance Shaw, a Broadway dance star, and Joseph Rivington Reynolds, a keen fan of hers, marry after she breaks up with her fiancé. Connie thinks Joseph owns a gold mine, but he actually works as a presser at a hotel valet shop. When everyone learns what he really is, Joseph is banned from the theater. When he sneaks in again, he learns of a plot to set off a bomb in the adjoining munitions warehouse.

A press agent, a composer and a landlord of a theatrical boardinghouse revive vaudeville on Broadway.

A slice-of-life drama involving a young lawyer, his adoring secretary who tries to help to advance his career, and his employer, a famed lawyer burdened with an unfaithful wife.

Broadway producer Johnny Demming is only interested in big-name talent and scoffs that his sister, father and other small-time talent could be used in a successful show.

Temperamental stage diva Fay Lawrence is reluctantly persuaded by a Broadway producer to star in his latest production.

The Disappearance of Miss Scott chronicles Hazel Scott’s meteoric rise as a jazz talent and major Hollywood star before being blacklisted during the Red Scare.