Les Cinq Dernieres Minutes is a crime based French television series

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The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

Rex and Saskia, a young couple in love, are on vacation when they stop at a busy service station. Saskia is abducted in broad daylight and three years pass with no answers or closure surrounding her disappearance. Rex has nearly given up all hope when he suddenly begins receiving letters from her abductor.

Josselin Beaumont, a French secret agent, is tasked with assassinating Njala, the president for life of Malawi in Africa. A shift in French policy means that assassinating Njala is no longer an option. But instead of recalling their agent, high-ranking officials deliberately sacrifice Beaumont by handing him over to the Malawian authorities. Arrested, tried, and imprisoned, he nevertheless manages to escape. Back in Paris after a two-year absence, he informs his superiors through Colonel Martin that he will fulfill his contract during Njala’s upcoming official visit to Paris between the 12th and 15th of this month, and that he has a few scores to settle with the D.G.S.E. The question is, should Beaumont be stopped or not?

A quiet and inconspicuous man rents an apartment in Paris where he finds himself drawn into a rabbit hole of dangerous paranoia.

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Investigating the most notorious and infamous crimes in French history. These cases didn't merely capture the public's attention, but the events would go on to inspire some of the world's most chilling films and novels.

Paris, France, 1942, during the Nazi occupation. Robert Klein, a successful art dealer who benefits from the misfortunes of those who are ruthlessly persecuted, discovers by chance that there is another Robert Klein, apparently a Jewish man; someone with whom he could be mistakenly identified, something dangerous in such harsh times.

In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.

In the 1930s, Agaguk lives his traditional Inuit life. But one day, there is a murder in the tribe and Agaguk becomes a suspect. Soon he becomes persecuted by Henderson, a mean mountie, and he must flee through the cold winter of Northern Quebec.

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In the Médoc, a young woman is found drowned. An accident, her influential family of winegrowers maintains. Or rather murder, as the American inspector Morrison suspects. If so, why? What secrets this family keeps?

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

A man accused of murder discovers a trail of corruption leading to the powerful family of his former love. Going underground, he seeks allies in a town where trust is scarce.

The consumer society is dead. Welcome to the preservation society! As of their first school year, children are taught to love objects, which most of them do. But not all citizens. To remedy the problem, The security forces crack down on vandals, bands of protesters and other iconoclasts. And for greater efficiency the States uses the services of Kief, a mad scientist who operates on prisoners so as to pair them with totem-objects. Which is why Judith gets wrinkles when her clothes are creased. Which is why the skin of librarian Mikoski gets pierced with holes whenever rats gnaw at his books.

A star is born in a time of both celebration and instability in this historical drama with music from director Christophe Barratier. In the spring of 1936, Paris is in a state of uncertainty; while the rise of the Third Reich in Germany worries many, a leftist union-oriented candidate, Léon Blum, has been voted into power, and organized labor is feeling its new power by standing up to management.

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Village of Artigat, southern France, summer 1542, during the reign of Francis I. Martin Guerre and Bertrande de Rols marry. A few years later, accused of having committed a robbery, Martin suddenly disappears. When, almost a decade later, a man arrives in Artigat claiming to be Martin, the Guerre family recognizes him as such; but doubts soon arise about his true identity.

Despite her friends' warnings, a woman travels to the Sahara, determined to find her missing archaeologist father and the magical tower he was searching for. Aided by a mysterious prince, she battles outlaws and the desert's harsh conditions.