The third installment of the “Law & Order” franchise takes viewers deep into the minds of its criminals while following the intense psychological approaches the Major Case Squad uses to solve its crimes.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

The exploits of a group of men and women who serve the City of New York as police officers, firemen, and paramedics, all working the same fictional 55th precinct during the 3pm to 11pm shift - the 'Third Watch'.

The Cosby Show is an American television situation comedy starring Bill Cosby, which aired for eight seasons on NBC from September 20, 1984 until April 30, 1992. The show focuses on the Huxtable family, an upper middle-class African-American family living in Brooklyn, New York.

An eccentric fun-loving judge presides over an urban night court and all the silliness going on there.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.

In the fictional town of Fernwood, Ohio, suburban housewife Mary Hartman seeks the kind of domestic perfection promised by Reader’s Digest and TV commercials. Instead she finds herself suffering the slings and arrows of outrageous fortune: mass murders, low-flying airplanes and waxy yellow buildup on her kitchen floor.

Jake and the Fatman is a television crime drama starring William Conrad as prosecutor J. L. "Fatman" McCabe and Joe Penny as investigator Jake Styles. The series ran on CBS for five seasons from 1987 to 1992. Diagnosis: Murder was a spin-off of this series.

After a tragic ending to her short-lived super hero stint, Jessica Jones is rebuilding her personal life and career as a detective who gets pulled into cases involving people with extraordinary abilities in New York City.

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.

Good Times is an American sitcom that originally aired from February 8, 1974, until August 1, 1979, on the CBS television network. It was created by Eric Monte and Mike Evans, and developed by Norman Lear, the series' primary executive producer. Good Times is a spin-off of Maude, which is itself a spin-off of All in the Family along with The Jeffersons. The series is set in Chicago. The first two seasons were taped at CBS Television City in Hollywood. In the fall of 1975, the show moved to Metromedia Square, where Norman Lear's own production company was housed.

Firefighters Chuck Ford and Larry Valentine are guy's guys, loyal to the core—which is why when widower Larry asks Chuck to pose as his lover so that he can get domestic partner benefits for his kids, his buddy agrees. However, things get dicey when a bureaucrat comes calling, and the boys are forced to present a picture of domestic bliss.

Jack's lavish, fast-paced lifestyle changes one Christmas night when he stumbles into a grocery store holdup and disarms the gunman. The next morning he wakes up in bed lying next to Kate, his college sweetheart he left in order to pursue his career, and to the horrifying discovery that his former life no longer exists. As he stumbles through this alternate suburban universe, Jack finds himself at a crossroad where he must choose between his high-power career and the woman he loves.

A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city's history, and centered on the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.

Meet the Donnelly brothers: Tommy, Jimmy, Kevin and Sean. There is nothing these four Irish brothers wouldn't do to protect each other, and for them that means lying, cheating, stealing and, occasionally, calling the cops. Narrated by wannabe gangster Joey "Ice Cream," this gritty series bears witness to the Donnelly brothers' sudden involvement in organized crime, focusing on how they go from boys to mobsters, and showing how their new life affects their relationships with friends, family and lovers.

Roots: The Next Generations is a television miniseries, introduced in 1979, continuing, from 1882 to the 1960s, the fictionalized story of the family of Alex Haley and their life in Henning, Lauderdale County, Tennessee, USA. This sequel to the 1977 miniseries is based on the last seven chapters of Haley's novel entitled Roots: The Saga of an American Family plus additional material by Haley. Roots: The Next Generations was produced with a budget of $16.6 million, nearly three times as large as that of the original.

The Beat delves into the personal and professional lives of two young police recruits who patrol New York's streets. The city's daily machinations are seen through the often bloodshot eyes of Officers Mike Dorigan and Zane Marinelli, two youthful, irreverent partners who are truly products of their generation and unique urban environment. Issues of race, excessive police force – and the unpredictable quirkiness of New York's outspoken locals – compel both men to rely on their sense of humor just to make it to the end of their shift.

The career and personal life of writer Lee are at a standstill, so he divorces his bashful wife, Robin, and dives into a new job as an entertainment journalist. His assignments take him to the swankiest corners of Manhattan, but as he jumps from one lavish party to another and engages in numerous empty romances, he starts to doubt the worth of his work. Meanwhile, top TV producer Tony falls for Robin and introduces her to the world of celebrity.