UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.

The film follows the trajectory of Naikee, a black transwoman activist, in her quest for identity and freedom. In addition to revisiting key elements of Naikee’s journey, the film aims to question the overwhelming heteronormative standards of a society too binary to erect an ode to diversity. By re-interpreting Boticceli’s painting The Birth of Venus, Naikee asserts her right to exist differently.