Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community's clergy. But the locals don't take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.

Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.

"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.

Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falling in love with his model - pleasure and death.

It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.

A struggling artist buys a talisman that gives him love, fame and wealth. The talisman is a severed left hand, and it works perfectly, in fact, magically. But of course there is nothing free in this world, and after one year the devil comes and asks for his due.

In Ivory Coast, an administrator is appointed to replace a colleague who has just been assassinated. The newly appointed administrator, Guillon, clashes with a powerful elite that extorts money from farmers who refuse to cultivate the land. A peanut processing plant, nearing completion, unfolds against a backdrop of ethnic rivalries and resistance from the rural population to the changes imposed by the colonial regime, which is striving to modernize traditional agriculture to demand increased production. Aided by a doctor and an engineer, Guillon succeeds in restoring the confidence of the Black farmers after thwarting the schemes of those who dared to stand in his way.

Louberger, director of an orphanage, is full of praise for a former boarder, Mr. Sauval, who has become their benefactor. One night he arrives and he does not seem to be exactly the man described by Louberger. He has in fact become a crooked lawyer and he is wanted for a crime he has just committed. Despite his efforts he will not escape the police but he will manage to remain, in the eyes of the children, at the height of his legend.

Remy Germain is a doctor in a French town who becomes the focus of a vicious smear campaign, as letters accusing him of having an affair and performing unlawful abortions are mailed to village leaders. The mysterious writer, who signs each letter as "Le Corbeau" (The Raven) soon targets the whole town, exposing everyone's dark secrets.

A Paris-based doctor tries to spread the gospel of Natural Childbirth. Working in a cloistered rural community, Gabin runs up against the stone walls of fear and prejudice. His theories are proven sound when unwed mother Nicole Courcel gives birth within Gabin's methodology. The childbirth sequence is filmed straight-on with a delicate combination of taste and frankness. Nonetheless, the lurid ad campaign of Cas Du Dr. Laurent sensationalized this sequence all out of proportion.

A mad scientist captures young women and drains their blood, in order to keep alive an ancient, evil duchess.

1868. Revolutionary Mathias Sandorf is determined to oust the dictatorship oppressing his country. The people see him as their liberator. Denounced by his banker, Mathias is arrested and sentenced to death. He manages to escape and takes refuge in a fishing village where he prepares a new uprising.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

A watchman with a sensitive heart, Fernand falls in love with Violette and Pervenche, two of the daughters of his boss, Maître Arno. At a bullfight starring three attractive Spaniards, the girls and their sister Marguerite - with whom Fernand's companion Rémy is in love - compete in charm, to the despair of both suitors. Followed by Marina, a pretty girl who seems to take a keen interest in Fernand, the two friends decide to retire to Les Martigues, far from their belles. But soon annoyed by Marina's insistence, Fernand returns to Maître Arno's manade, while Rémy decides to become a bullfighter to win back Marguerite.

Everyone in Paris thinks Fantomas is dead. A wave of extortion, blackmail and murder all point to the master criminal. Inspector Juve and his reporter friend Fandor set out to find the truth.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Paris, France. Commissaire Wens follows the lead of a ruthless murderer to an unexpected place.

The inhabitants of the windswept island of Sein, in the 19th-century Brittany, follow their own religion without need for clergy, but as strangers arrive, their faith and beliefs face a deep crisis.

A group of people visit a weird old man who is a student of the black arts. The man lives in an ancient, cursed castle. Soon people in the group start being killed off.