The Eagle: A Crime Odyssey is a Danish police procedural television series produced by Danmarks Radio, created and written by Peter Thorsboe and Mai Brostrøm. The series debuted on 10 October 2004 in Denmark. It won an International Emmy Award from the International Academy of Television Arts & Sciences for best non-American television drama series in 2005. There were three seasons; the second season premiered in Denmark on 9 October 2005 and the third on 8 October 2006. The last episode originally aired in Denmark on 26 November 2006. The series was filmed on location in various parts of northern Europe, from Berlin and Copenhagen to Oslo and other locations including Iceland. The series has enjoyed particular success in Australia, where it airs on SBS and is available on DVD with English subtitles.

Having just retired from the Danish Secret Service, Ditte Jensen has settled into a small apartment building in Reykjavík. Possessing a strong sense of justice, she doesn't hesitate to get involved in her neighbours' problems and help them.

Fóstbræður was a comedy sketch show which premiered on the Icelandic Stöð 2 in October 1997.

Follows a young married couple who see their livelihoods threatened when the government starts enforcing restrictive fishing quotas after they build a small fishing empire in a village.

Soon after the break of the pandemic and realizing that his clock is ticking, Kristofer gets the urge to embark on a journey to try to find out what really happened when his Japanese girlfriend mysteriously vanished without a trace from London fifty years earlier.

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When the light breaks on a long summer's day in Iceland. From one sunset to another, Una, a young art student, encounters love, friendship, sorrow and beauty.

A young and innocent man's joys and sorrows of adulthood and the temptations of Aarhus, the big city.

Set in 1992, Heimsendir is an isolated mental hospital on the outskirts of Reykjavík. The hospital, referred to as ‘World’s End’ is a last resort for many mental patients, many of whom consider it a home. Elementary school teacher, Einar, is committed against his will after a severe nervous breakdown and is critical about how things are run at the hospital and before long he has most of the patients on his side, rooting for change. Einar, along with the other patients, stages a revolution and takes over the hospital, declaring its a state within a state, a Utopia for the mentally ill.

The owner of an Information Technology firm wants to sell his business for profit. The trouble is that when he started his firm he invented a nonexistent company president to hide behind when unpopular steps needed to be taken. When potential purchasers insist on negotiating with the "Boss" face to face the owner has to hire a failed actor to play the part.

Áramótaskaup: 2018 is an Icelandic TV movie satirizing the events of the past year.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" towards the events in war torn Europe and his search for a new home.

Áramótaskaup: 2016 is an annual Icelandic TV movie satirizing the events of the past year.

A desperate city slicker engineer cheats his way into a small farming community, pretending to know how to save them by re-financing their slaughterhouse not knowing that he's walking into a local world war of small-town politics and general misbehaving.

Robert is an important man with big responsibilities. One day he has an accident that blurs the border between the man and the beast within. Robert acts out and suffers the consequences.

little grub ugly - lands in a variety of adventures in her garden. A leisurely bell bumps into her, she meets a friendly worm, bullied in a bully of bees and an old grumpy spider tries to pluck her. As this is not enough, she is caught by a thief who is going to give her her breakfast for breakfast.

The dentist Oscar has been married for five years and lives with his wife and adopted children. On the surface everything seems to be fine but Oscar is not a happy man. His wants a baby of his own flesh and blood but it's not working out. When he finds out that his wife has been deceiving him all these years he decides it's time for a change. Einar is a stockbroker who is very successful at work but not in his personal life. For the last couple of months Einar has been living at a hotel waiting for his wife to realize the terrible mistake she made by throwing him out. Katrin Rose returns from Sweden where she has lived for eight years. In Iceland Katrin has an eleven-year-old son, brought up by his grandmother and now Katrin wants him back. Katrin gets a job as a dentist's assistant intending to make a fresh start but her troubled past catches up with her.

TV movie based on the first chapters of the Icelandic Brennu-Njáls saga. The first part of Njálssaga is a half-hour long drama based on a part of Brenna-Nálssaga. It tells the story of Hallgerður Langbrók having food stolen in Kirkjubær and the horse she received as a reward from Gunnar. This is followed by Gunnar's quarrel with Otkel in Kirkjubær and his advisor Skammkel. Their business ends with Gunnar killing both of them. The second part is a half-hour long documentary where scholars bring out something interesting about this part of the story.

Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.