Mounia searches for her lost cat among the ruins of the Beirut port explosion. Joined by her best friend Ghady, they navigate the remnants of their city on a quest to recover what's been lost.

Fifty-five-year-old Nayla is a supervisor at a factory in a Beirut suburb, and struggles to ensure her family’s survival. The war in the south of the country threatens to spill over at any moment, in a country plagued by an economic collapse. Her unemployed, alcoholic husband Mounir, an ex-Civil War militiaman, spends his time watching television. The couple’s feeling of unease fluctuates between aggression and guilt. One night, their twenty-three-year-old daughter Rania knocks over a man while driving home. Nayla is caught up in a vicious circle: She finds herself with Rania, in hospital, facing a family from “the other side.” Animosity and curiosity alternate. For the first time in a long while, Nayla does some deep soul-searching. Her relationship with her husband worsens. But the injured man's condition suddenly deteriorates and he dies. Rania is taken to prison.

Tadur is a pastoral escapade. It depicts an imaginary world deep in Mount Lebanon, where criminals, impoverished farmers, and monastic sages are immersed in both beauty and brutality. The Arabic word "tadur" encapsulates the essence of this world, meaning to spin, orbit, turn, revolve, rotate, cycle, or circle.

A woman navigates grief.

In crisis-stricken Lebanon, five unlikely friends launch a daring online venture that unexpectedly ignites a movement for personal liberation and social change.