In February 2022, at the turn of Russia's invasion of Ukraine, therapist Lydia is trying to divorce her husband. Instead of following her daughter’s advice and fleeing the country, Lydia starts helping strangers, becoming a source of transport.

On the New Year's Eve, in a small cozy hotel in the Carpathians, fate, with the help of its owner Ivan, brings together people with completely different life paths. Defender Valera comes back from the battlefront to convince his wife not to divorce. Volunteer Tania, despite an unsuccessful attempt to raise funds for drones, hurries to the customs office. Blogger Liza wants to return to her easy and carefree pre-war life. And MP Petrovych dreams of escaping abroad with a suitcase of money. Each of them has their own desires and views, but this New Year they will find themselves together to understand what they really want from the future.

Modern retelling of a classical Ukrainian family drama. Generations clash as the rural Kaidash family tries to make room for their sons, their sons' love interests and all the predicaments that ensue.

By chance, on Christmas Eve, completely different passengers with their own problems and dreams board the same train, and now they all have to arrange Christmas dinner right in the dining car. While waiting for the first star, all the passengers come together as one big Ukrainian family. And miracles begin to happen.

What stands behind the Black Square, painted in 1915 by the obsessive artist Kazymyr Malevych? For his competitors, a fraud, for the Soviet regime, a secret code, for one woman, a love letter, for the people of Ukraine – a prophecy…

Year 2015. Hanna (mother) and Darka (girlfriend) are united by the memories of Danya, who died in 2014 on the Maidan. Hanna's life path went from a Maidan activist in 2004 to a high-level government official. Through the relationship between the two women, it turns out that Hanna was associated with the corruption that led to mafia revenge in Ukraine in 2010, and ended up the Revolution of Dignity in 2014. Hanna is increasingly convinced that her personal actions are linked to her son's death.