Sati, who is forced into marriage by her poor parents with a rich ugly old man living with a concubine. She find the other way to overcome the mishap in her life, when a young neighbor Nath develops love interest with her. Both finally leaves the village and escape to Cuttack town. The conservative neighbors question about their relationship. Sati, unable to bear the scandal concerning her and Nath, finally commits suicide by jumping into the river.

Gora and Mahim were two sons of Krishna Dayal Babu. From childhood, Bijay and Gora were friends. Through an accident, Bijay was introduced to Paresh Babu's family. Paresh was a Bramhin. So Gora did not like Bijay's visit to that house. Gora's mother was very anxious about Gora's Hindusim. Krishna Dayal was also very annoyed being an orthodox Hindu. As per his father's request, Gora went to Paresh Babu's house. Paresh babu's wife Bhadra Sundari was not happy seeing Gora there. But Gora had a real conflict with Haran Babu. The marriage of Haran Babu and Suchitra was almost fixed. The reason of the conflict was that, Haran Babu always thought of himself to be a social reformer and saviour of Brahma religion.

A working-class leader confronts a villainous factory owner, falls in love with the boss's daughter unaware of her family origins and, after many adventures and setbacks, it is revealed that the hero is in fact the official heir to the property the villain had usurped. An influential Bengali novelist acknowledging allegiance to socialism, Mitra's studio-bound film concentrates on showing the milieu of the rich while the dialogues make numerous references to the workers and the poor.

A 1939 Bengali Drama Film directed by Prafulla Ray.

Melodrama featuring a thikadar (forest contractor), a somewhat remote figure like the landscape in which he operates. The villain is the plantation-owner named Abani Haldar, with a beautiful daughter, Latika. The thikadar saves Haldar in an accident, while later it is revealed that Haldar killed the thikadar's father and left his wife and children for dead. Latika, who loves the thikadar, succeeds in preventing the forester from taking revenge for those crimes.

A 1939 Bengali Mythological Film directed by Phani Burma.

Lord Krishna visits Suryapith with his friend Akrur, where they meet Satyabhama, the daughter of Satrajeet. Akrur proposes to Satyabhama, but she addresses him as a brother, leading him to resent Krishna. Satyabhama, however, falls in love with Krishna. Unaware, Satrajeet arranges Satyabhama’s marriage with Kritabarma. Meanwhile, Jarasandha, the king of Magadh, desires the Syamantak gem to win Jambavati’s hand in marriage. His ally, Satadhanya, also covets Satyabhama. When Satadhanya attacks Satrajeet to seize the gem, Krishna intervenes, defeating him and protecting Satrajeet and Satyabhama. However, Satrajeet distrusts Krishna, hiding the gem with his brother, Prasan. When Prasan is killed by Jarasandha’s spy, who is then slain by Jambavan, Krishna retrieves the gem from Jambavan after defeating him. Later, during Krishna and Satyabhama's wedding, Satyabhama and Akrur kill Satrajeet to seize the gem but are ultimately defeated by Krishna.

Dakshayagna is a pivotal tale in Hindu mythology. It recounts the grand sacrifice ritual organized by Daksha, where his daughter Sati, wife of Lord Shiva, tragically immolates herself due to her father's insult to her husband. Enraged by this, Shiva destroys the sacrifice, leading to the creation of the Shakti Pithas. This event also sets the stage for the reincarnation of Sati as Parvati, who later marries Shiva. The story is central to understanding the complexities of Hindu deities and their interactions.

A son in a rich family has gone missing for a long time. A man intrudes into the family feigning as their lost son. He enjoys life with the wealth in the family. However, when the wife approaches him with trust and affection his conscience demands a hearing. Even though he is an imposter he does not want to take advantage of the wife's innocence. Finally, it is a victory for the conscience.

A timeless tale of love and devotion, Prabhas Milan transports viewers to ancient India. Set centuries after Krishna departs from Brindavan, the film explores the longing of Radha and the celestial drama that unfolds when Krishna promises his queen, Satyabhama, a divine Parijat tree. As jealousy and divine intervention intertwine, the epic culminates in a poignant reunion between the eternal lovers, Krishna and Radha.

Sri Beniprasad, owner of "Model Drugs," discovers his workers’ grievances when he finds a bulletin circulated by them. Though his son Dilip is involved with the company, he advises his father to investigate independently. Taking on a disguise as a common laborer, Beni Prasad learns that his executives are dishonest and oppressive, even mistreating him. He is welcomed by Rammoy, a worker, and his family, where Jayanta, an enigmatic leader of the labor movement, regularly appears. During a secret meeting, Jayanta realizes Beni Prasad is undercover and orders his glasses broken, rendering him unable to see. Both Beni Prasad and Rammoy's daughter Reba question Jayanta’s true identity, which is revealed in a twist at the film's end.

Vasantasena is a fictional character and the protagonist of the iconic Sanskrit play Mṛichchhakatika (The Little Clay Cart) written by Śūdraka.