Moscow, XIX century. Lavish balls, glittering manors and backstage intrigues. A young and enviable bachelor, Count Nikolai Sheremetyev, returns to the world of high society from the war. His arrival blows up secular circles: mothers and daughters are plotting, dreaming of getting a rich groom. But for Nikolai himself, everything is more complicated — according to his mother's will, he must marry within a year, otherwise he will lose his inheritance. At this time, the Averin family is teetering on the brink of ruin due to gambling debts of the head of the family. Their daughter Anna, a stubborn and witty noblewoman, decides to meet the count personally, hoping that he will forgive the debt.

The year is 1967. A series of mysterious murders of women are taking place in Leningrad. An experienced KGB major, Chuzhbin, and a police captain, Fedorov, are assigned to catch a maniac who leaves mysterious signs next to the victims.

Zakhar is the head of a big family who spent all his life living in a village in a private house. He is also the only one who refused to sell the land for the construction of a new residential complex. After all, not only his right to private property but also his happy memories are under threat: the old forest he knew since he was little was cut down, and the pond where he used to fish with his father was drained. Moreover, his grandson fell in love with the developer's daughter! While life seems to fall completely apart, Zakhar, together with his family, decides to stand his ground to the very end against urban developers, dissatisfied tenants of the newly built high-rise, and total injustice.

Gosha, 20, who was born into a wealthy Moscow family, is "sitting out" his pants in the 4th year of medical university, but he really wants to become a director. One day, he tells his mother that he is quitting medical school and will go to film school. The mother is ready to let her son fulfill his dream, but only if he proves that he can live for at least three months without guaranteed financial support. As a result, adult life falls on yesterday's teenager: he needs, at least, to find a place to live and earn at least some money for food.

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The film's central premise is that a person only truly understands their true nature in extreme situations. The harsh conditions of the wild Pamir Mountains, where the film's main action unfolds, reveal the deepest foundations of the protagonists' personalities and motivations, forcing them to "wake up" from the mindless daily grind of the big city and make a crucial choice that can mean the difference between life and death. It is here, in the Pamir Mountains, at an altitude of several thousand meters, far from civilization, that a person understands who they are. And receives what they deserve...

A dyslexic graduate of a pedagogical institute is forced to become a teacher of Russian language and literature in a secondary school. Despite the illness, he manages to establish contact with the students, who in the end will help him keep his job.

After taking a deserted Moscow, Napoleon occupies the Kremlin, where his loyal General Michel Clément, a descendant of a Russian boyar who came to Russia believing in the justice of Napoleon's campaign, constantly stands by his side. Meanwhile, the monks of the Chudov Monastery plot to assassinate the emperor by mining the Arsenal, and the young noblewoman Maria, seeking revenge for her dead brother, attempts to shoot Napoleon. The failed assassination attempt brings her into contact with Michel and the Polish officer Józef Sadok. Disguised as an actress in the monastery, Maria finds herself drawn into a dangerous game where rescue, suspicion, and a budding bond with Michel gradually change the fates of all involved.

In the modest apartment of a former school teacher and insect expert, Zyablikova, the lights are turned off. This happens right on the eve of a television shoot that will change his whole life! It turns out he has a huge debt. But from where? Nobody can explain. To achieve connection, you need to submit an application through your personal account. But Zyablikov is not “friendly” with the Internet; he has an old push-button telephone. Walking in circles in the system of automatically recording fines, instructions, and personal accounts is gradually destroying it. Zyablkov himself now feels like an insect locked in a jar. And only with the rare beetle he caught can he have a heart-to-heart talk.