Annual awarding of the Grimme Awards.

The two-part documentary introduced people in the villages and less populated areas of the Federal Republic. The prevailing structures, worries, hardships and hopes were shown - a portrait of the 1970s.

A documentary about the 'critical mass', the Film Coop, a group of young filmmakers in Hamburg during the 1960s - a small group far from the Mainstream or the New German Cinema.

Documentary by Jan Sebening and Daniel Sponsel.

A documentary about the 1892 cholera outbreak in Hamburg.

A 90-year-old Japanese woman runs a small traditional shop in St. Pauli. Her name is Mizuki Wildenhahn, née Inai. In the 1950s, she fell in love in London with the future documentary filmmaker Klaus Wildenhahn. They married and had two children. The relationship broke down in 1968, after ten years, but they always stayed in touch. After the separation, Mrs. Wildenhahn raised Nikolas and Nina on her own and opened the shop Ars Japonica in 1977.

No synopsis available yet.

Observational documentary about the Merce Cunningham Dance Company rehearsing throughout the summer of 1967 in New York.

The film develops 5 questions about documentary film against the background of the media-political situation of the early 1970s in West Germany. The following topics are developed: (1) the personal approach of filmmaker Klaus Wildenhahn to his profession; (2) the technical and technical approach of cameraman Rudolf Körösi; (3) the development of documentary film based on John Grierson's British School of Documentary Film; (4) the working conditions and political framework for the production of documentary films at WDR and NDR; (5) the constitutive characteristics of socially relevant documentary film.

Klaus Wildenhahn, a native of Bonn, takes a personal and slightly wistful look behind the scenes of the government's move from Bonn to Berlin and bids farewell to the comparatively modest “federal village.” He is not interested in the political celebrities, who, unlike in the television reports produced at the same time, serve only as background noise, but in the everyday lives of the small employees, parliamentary servants, chauffeurs, and waiters.

Interview with Klaus Wildenhahn about his filmmaking practice conducted and directed by Christoph Hübner

A portrait of the two documentary filmmakers Jerzy Bossak and Richard Leacock.

No synopsis available yet.