Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

A romantic drama about a woman who enters into an affair after 30 years of marriage.

A creature bearing the ominous name "Mishap" is hot in pursuit of an unfortunate lumberjack and eventually decides to live with him. It soon gets bored, however, and asks the lumberjack to hand it over to the rich merchant Habermoos. Habermoos manages to sell Mishap to the king, although he is being attacked by robbers. The king is bankrupt and threatened with war by other countries. Young Michael has to go to war for the king. The creature tries to secretly join him. When Michael gets hold of the situation, he manages to get rid of Mishap once and for all. After all, he has more important things to do. At the last moment, he prevents his girlfriend Kathrin from getting married to the pompous merchant Habermoos.

Edith and Wolfgang have led a fairly harmonious family life for many years, together with their son Danilo. Edith has long since got over Wolfgang's infidelity twelve years ago, which resulted in a daughter. Every now and then he visits 12-year-old Sandra, simply fulfilling his fatherly duties. But suddenly the girl appears at the door.

No synopsis available yet.

The story of a young couple who live in a small town with their four-year-old daughter. The husband is so caught up in his work as a policeman that he gradually becomes increasingly alienated from his wife and daughter who become ever closer to one another as they discover the new town. It is only a matter of time before the conflicts within the family manifest themselves.

A small town shortly before the end of the GDR: 15-year-old Ulla lives with her mother in a dilapidated old building where not even the electricity works properly. Economy of scarcity and national bankruptcy are visible everywhere. Only higher party comrades live in the lap of luxury. When Ulla meets Winfried after a summer bathing trip, the two fall in love. Winfried is the son of an influential general director and owns things from West Germany that others only dream of: a computer, a games console, a walkman. On an excursion with her biology class, the high school student discovers that a dacha is being built in the middle of the nature reserve and the creek has been dammed. Winfried's father turns out to be the culprit, but the mayor is on his side. Ulla rebels against this environmental destruction connected to political corruption and organizes a protest. Her activism not only endangers her own future, but also her first great love.

No synopsis available yet.

A commercial artist with a lisp chooses silence, unexpectedly propelling his career. His perceived innovation leads to rapid advancement in an ad agency. Mueller-Stahl shines in this biting critique of East German workplace culture.

The "Astoria", an English luxury liner, collides with a freighter shortly before the end of its voyage and threatens to sink. Captain Mitchell, successful and envied, sets in motion an expensive rescue operation. He manages to avert a catastrophe and bring the passengers and the ship to safety. But the shipowner considers the operation excessive, calls Mitchell a coward and fires him. His career seems to be over. When his friends and his fiancée also make fun of him, he devises a cunning plan of revenge.

Caroline and Tobias have a lot of fantasies. But one day everything they tell suddenly become true.

Professor Gotthold Kittguß leads a secluded life, which is primarily determined by his books. His housekeeper, the widow Müller, takes care of all the practicalities of life. One day, a strange boy appears at his house to deliver a call for help from his 17-year-old godchild Rosemarie, who is the daughter of a deceased pastor friend and lives with the Schliekers, her so-called foster parents, in the small village of Usadel. The Schliekers manage Rosemarie's inheritance, but are anxious to take possession of the farm. They treat Rosemarie like their maid and allow her to live in undignified conditions. After a moment's hesitation, Professor Kittguß sets off for Usadel to help his godchild. But he doesn't receive a warm welcome there and is even locked up in a cellar. Rosemarie frees him and takes him to a secret hiding place in a nearby fisherman's hut.

In the forests of the Ore Mountains, on the border with Bohemia, a gang of smugglers is up to mischief. Anyone who dares to oppose them is murdered in cold blood. The locals are paralyzed by fear of the ominous bush ghost that is said to be behind it all. Then a stranger turns up at the remote forester's lodge and begins investigating a murder that took place twenty years ago. Having become wealthy in the Alaskan gold fields, Arndt is now looking for the woman he once loved and whose perjury landed him in prison. The forester and the weaver Eduard Hauser help him with his investigations. But Hauser himself soon becomes the victim of a sinister intrigue. Fritz Seidelmann, an unscrupulous profiteer who is after Hauser's fiancée Angelika, lures him into a trap. Hauser is arrested as an alleged bush ghost. For the time being, Arndt can do nothing for him ...

At some point, a dead fox lies in the star lawyer's empty swimming pool. Later, much later, the former Attorney General Jasper Dänert lies dead in an empty bed. In between, an entire life comes to an end. Or rather, what was left of it. A powerful drama that tragically paints the biblical story of the prodigal son in the dreary autumn colors of East Germany. Full of guilt, denial, manslaughter - and a lack of atonement, which should have been the responsibility of Brandenburg's highest prosecutor. But when the murder happened, when the young hustler Jimmy was found dead in a rotten tree trunk, he was biased. More than that. He was the perpetrator.

Two farmers, Grimm and Melcher, were once on friendly terms, but a petty argument over a piece of land has since turned them into implacable enemies. Their two children- Veronika and Fabian- used to be childhood friends. When they meet again as young adults, they instantly fall in love, despite the bitter feud between their families. With no hope for a future together, the two seek to end their lives in this retelling of the classic story by Shakespeare.

Protected from the intrigues of con-men by the overwhelming blanket of the former regime in East Germany, at first it seems that Ada Fenske, the elderly widow living on a farm near a soon-to-be abandoned Russian island military base is fair game. The (West) German military intelligence services want to acquire her farm. At first, their agent attempts to buy the property openly, but her refusal to sell motivates him to try far shadier techniques. He comes up with a relative she never knew about who is entitled to a share in the property and tries to blackmail the township's mayor to get his cooperation. However, the hard-working and honest old lady has an ally in the person of her more sophisticated border, a woman who works in the mayor's office and has been to the West. She takes great delight in foiling the underhanded agent.

Young Uli Merkel is an engineer and inventor. He has a wife and child and is primarily interested in his career. One day, he receives a strange assignment from general manager Zeim. He is to track down the former chief designer Heiner Rudolf in order to take his inventions out of his pocket. Rudolf, ridiculed at the time for his forward-looking work, had taken all his documents with him when he left. Now they are needed to fulfill an important export order. In his search for Rudolf, Uli begins to realize that he, the boy, is being used. He finally finds Rudolf as a gravedigger on the island of Rügen. The encounter reinforces Uli's doubts about the moral integrity of his mission. He gets out and stays there, while Rudolf accepts an offer from the general manager.

The motto for the 13-year-old narrator Bärbel Fielow, as far as school is concerned, must always be the opinion in class.