Angelo "Jinggoy" Sese grew up to become a notorious criminal in the city of San Juan, Metro Manila. Because of the crimes that he and his posse committed, the authorities decided to hunt him down.

A story of a young couple, Charlie Sicat and U.S.-based Prince Price, who decides to get married after two years of long-distance relationship. But there is one hitch: Charlie’s father Dindo had promised to give his wife Sunshine another church ceremony to mark their 25th wedding anniversary. Dindo vehemently refuses to have both weddings take place. Prince’s attempt to win over Dindo is further complicated by his nouveau riche mother Marlene, who insists on having her son’s wedding done her way.

Eight cops are organized into an anti-vice squad. They risk their lives and test their brotherhood in every mission they accomplish.

Monette, a single mom who rises from her hardships and obstacles in life to become a self-made, is a successful career woman. She then meets Paquito, a widower with three kids. Despite their age gap, is there a chance for their love affair to prosper?

The adult twin daughters of an aging business mogul find themselves haunted by a terrifying ghost. The two dig into their family's past, and they travel to South Korea to try to find a way to appease the angry spirit.

A Filipina meets a man in hiding.

Official entry to the first Metro Manila Film Festival in 1986 directed by Augusto Buenaventura and starred Jinggoy Estrada, Rio Locsin, ER Ejercito, Robin Padilla, Christopher Ad. Castillo.

Ang erpat kong Astig: Directed by Felix E. Dalay. With Jinggoy Estrada, Carmina Villaroel, Rufa Mae Quinto, Bea Bueno.

A 2003 Filipino comedy film starring Jinggoy Estrada, Joey Marquez, and Katya Santos.

An intimate and often heartbreaking portrait of one of the Philippines' most beloved screen icons.

Tonyo (Joseph Estrada), a mini-bus driver in Olongapo, opposes U.S. military bases in the Philippines. He saw the changes of the city after the military bases were established. Social problems of corruption, prostitution, poverty, and the plight of fishermen after the base appropriated much of the land and sea. The movie depicts his struggle between principle and practicality, a battle of healthy past and promising future and the quest for freedom and nationalism.

Paradise Inn is more than a watering hole, a gambling den cum-brothel frequented by the menfolk. It is a notorious landmark. Ester Paraiso, a retired prostitute, runs the place with help from her own daughter, Daria, whom she is preparing for the job, and from influential politicos. Her daughter, however, decides to run away but is later spurned by her suitor and his offer of a respectable life. Even the timely arrival of a two-beat magician, Rey, who hastily proposes marriage, fails to prevent the escalating tension as the mother-daughter conflict takes its worst turn culminating in the characters' fiery destruction.

It is Salve’s dream for her children to live happily after working hard to raise them alone. Now in her daughter Sally’s wedding, she feels she has accomplished that seeing her children giving tribute to her. Unknown to her, a big surprise awaits when they arrived home. An unconscious man is in their gate. Salve is quite familiar who the man is. She can never forget him – he is the man who left him years ago for another woman – her husband Benny.

A back to back treatment of a malaise which has shocked Philippine society for the past so many years: the mysterious disappearances and killings of Filipino journalists and activists. The film focuses on a hard-hitting radio commentator and his conflict with a former classmate who is a suburban town mayor. The radioman’s story runs parallel to the tale of a student-activist on the run with his activist-girlfriend. These parallel stories are interwoven with a third story, that of the former military man , now their would-be assassin. This killer’s unexpected obsession with his wife leads to a climax of murder and mayhem.

After 10 years working as a supervisor for an oil drilling firm in Saudi Arabia, Oca (Jinggoy Estrada, in a somewhat restraint performance) returns to the Philippines to visit his family. The film opens with his wife (Lorna Tolentino), best friend (Bayani Agbayani) and dotting mother (Vangie Labalan) waiting patiently for Oca's arrival at the airport. We are then introduced with the rest of the star studded cast, as Oca visits his house, where he meets up with his estranged kids (Shaina Magdayao, Arron Villaflor, Julian Estrada), and parents in loss (in-laws), which shows no affection whatsoever towards him. Only his drinking buddies, mother, and sister, are excited on his return, only because they see him as a prized cash cow. Jose Javier Reyes revisits his movie, Bayarang Puso (1997), in a cheese filled dance sequence, Oca drunk as ever grooves with no pretension. This and other embarrassing situations tears the family slowly apart.

Two lifelong friends have their lives shaken up when one of them discovers that he has cancer. Quick to lose hope in the face of his deteriorating health, it's left to his best friend to help him get through these troubled times.

Sexually assualted to death by unknown gangs, which is led by Brando Legaspi's wild obsession.

A 2000 Filipino action romance film.