Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

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Four young musicians from Hamburg are heading to a hotel in Upper Bavaria. Three lively young women are also on their way there. No wonder the hotel, which is on the brink of bankruptcy, is coming back to life. Max, Franz, Egon, and Paul—four young musicians from Hamburg—are heading to a hotel in Upper Bavaria to meet Max’s fiancée.

A German scientist murders his fiancée during World War II when he learns that she has been selling the results of his secret research to the enemy.

A unlucky village railroader causes a trainwreck by accident. In court he is exculpated by a woman who first becomes his lover, later on his wife. But in the end, his guilt is too strong and he faces his due punishment.

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The enterprising but chronically indebted factory owner Gustav Mummelmann meets the supposedly wealthy Tyrolean innkeeper Mariele through a marriage advertisement. To fund the trip, he once again takes advantage of his nephew, the record producer Peter Weigand. Peter accompanies Gustav to Tyrol to escape his persistent girlfriend Marion-Madeleine, who is pressuring him to marry her.

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Two out of work musicians put on drag to get work in an all girl band. Inevitable comical romantic complications ensue.

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There's only one way for the farmer Assbichler to save his farm from ruin: he has to marry off his son Toni to the pretty Rosl, the daughter of the rich farmer Pius Mang. Mang, however, wants his daughter to marry a well-off man; and so Assbichler has to borrow some cattle to give the farm the appearance of a large farming estate.

The rich and fun-loving brewery owner Xaver Bogenrieder has died. After the funeral, the mourners come to the pub for the funeral feast. The first trouble is already inevitable: It's all about the succession to the Unterbräu and which of the dignitaries will court the beautiful widow. The master brewer, who has long been a silent admirer of the widow, doesn't like this at all. Then the shepherd gives him an idea. The Unterbräu simply has to go around as a ghost, then the false admirers will stay away. Unfortunately, the gravedigger has the same idea, without the one knowing about the other.

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