Police battle against a gang of blackmailers known as The Crimson Circle.

A young painter in the academy hires as a model the daughter of a rich soap manufacturer and has her pose for a work based on the biblical Susannah and the Elders, which almost causes a scandal.

No synopsis available yet.

Herr Eickmeyer is a wealthy parfumier: well past middle age, and stout with it. His blonde wife Lissy is much younger, pretty and vivacious. Since Eickmeyer can't keep up with his young wife, he commissions a companion for her in the form of a life-sized talking clockwork man, purchased for 5,000 deutschemarks ... to be shipped to his home immediately it's assembled.

In this pre-WWII German mystery-comedy, a lovely kleptomaniac with a taste for fine jewelry is unable to resist temptation. Strangely, every time she steals something, a mysterious man pays for it. A clumsy detective begins investigating and finds a crucial clue: a strongly scented woman's glove. The perfume is an expensive scent and the detective's pal realizes that it belongs to a popular nightclub singer. The friend quickly becomes enamored of the girl, but then so does her mystery man, a notorious international criminal. Eventually he gets arrested, leaving the detective's pal to move in on the singer.

A wealthy industrialist, Roger de Vetheuil, married, feels assured of aging in peace. Then appears a blackmailer who accuses him of being a usurper, actually called Jean Pelletier, a mobster well known to police. Vetheuil, judging himself slandered, refuses to listen to his tormentor and goes to the police. The man speaks. The scandal is public soon ...

Robby and Jim are two friends working in a circus. When Marina, a new acrobat, enters the show, both men will compete for her love. She needs a partner for a flying number, and one of them will be elected. Then accidents will happen.

A Hungarian-Austrian comedy and one of the last emigrant films made in Austria before the industry submitted to pressure from Nazi Germany and ceased to employ Jewish filmmakers.

Familial disputes surrounding a traditional business. Grandfather Sonndorfer allies himself with his grandson Otto, in order to bring his arrogant son Max on the right path. Between the fronts is Emmerich Liebling, the intriguing messenger.

During a spectacular break-in at the villa of film star Marion Milner, the jewel thieves fortunately only manage to get their hands on imitations of the valuable jewelry. The police suspect the notorious master thief Silver-Jim, whom they have long been after. The commotion surrounding the break-in comes in quite handy for film producer Otto Pitt, who is currently shooting a crime film, as he hopes it will generate some free publicity for his project.

When Otto Wallburg and Szöke Szakall, as selfless taxi drivers, engage in both sentimental and comical duels over a little boy, at least the world of comedy remains intact.

The impressive cast is headed by the great Heinrich George as Boris Stroganoff, an opera composer and conductor who’s also a notorious lothario. Albani is ballet dancer Viola Suroff, who’s put her career aside to look after her partner Maxim Sadi, a baritone with unspecified health issues that have kept him off stage. Stroganoff sets his sights on Viola and offers her a job in the corps de ballet for his new opera The Boyar, which she accepts provided Maxim is also hired. However, dancer Margot (called Myrra in the French version) maintains a seething passion for Stroganoff, as does Countess Geschow (called Countess Ziska on this print), both of whom are resentful when watching his interactions with Viola. Jealousies run high on opening night between all the characters and Stroganoff is shot mid-performance, but who is the killer: Maxim, Margot, or Geschow?I

A girl from a boarding school finds a baby and has to keep it because she seems to be the real mother to everyone.

No synopsis available yet.

A wife believes her husband has been deceiving her and decides to have some fun at his expense. After a bit of mischief, her husband, a lawyer who is preparing a divorce for a client, decides to start divorce proceedings himself. The wife then realises she has gone too far.

The Opera Ball (German: Opernredoute) is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was part of a large group of operetta films made during the decade, although the film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.

Alexander Bessel is a young man in a failing marriage. His wife cheats on him, and so the outbreak of WW1 comes in handy for a change. When a young French soldier dies right in front of him, Bessel seizes the opportunity, assuming his identity.

Romantic exploits in Germany's White Mountains.

In 1812, during the French period, large parts of Germany are occupied by the troops of Napoleon. Several paramilitary Freikorps units battle the French forces, among them the Black Brunswickers led by the 'Black Duke' Frederick William of Brunswick-Wolfenbüttel. After the War of the Fifth Coalition, the Black Hussars are pursued by Napoleon throughout the country, but frequently take refuge with the noble-minded German people.

The captain of a battleship of a small Balkan country is fed up with following strange orders from the country's queen.