No synopsis available yet.

When a string of jewel robberies hits the French Riviera, suspicion falls on retired thief John “The Cat” Robie. To clear his name, he sets out to trap the copycat himself—entangling a wealthy widow and her beguiling daughter in a seductive game of pursuit, deception, and desire.

Asterix and Obelix depart on an adventure to complete twelve impossible tasks to prove to Caesar that they are as strong as the Gods. You'll roar with laughter as they outwit, outrun, and generally outrage the very people who are trying to prove them "only human".

The head of a failing French family thinks that fate has smiled down on him when the daughter of a wealthy man agrees to be married to his son. The daughter and her aunt then travel out to the French countryside to meet with the family, unaware that a mysterious 'beast' is stalking the vicinity.

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The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

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It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.

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No synopsis available yet.

The umpteenth adaptation of Dumas' novel finds d'Artagnan and his friends promoting the love affairs of Anne of Austria and the Duke of Buckingham, incurring the wrath of the Cardinal and exposing themselves to the cold cruelty of Milady de Winter. Also featured are the tender Mme Bonacieux, the hilarious Planchet, the Queen's ferrets and Bethune's executioner, against a backdrop of clanging swords.

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1793. The Reign of Terror has descended upon Paris. Carts roll toward the guillotine. In the corridors of the Convention, an elegant woman requests an audience. Her face distraught, she introduces herself: Josephine de Beauharnais, wife of Citizen-General Beauharnais, accused of treason. She pleads to save him from prison—a prison she herself will experience a few days later. The beautiful Creole woman doesn't yet know that her destiny is about to take a brighter turn, for she will soon meet another General. His name: Bonaparte.

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André Garnier, a young pianist, who was sent to deportation following a denunciation, absolutely wants to find his informer. He falls in love with Hélène, the mistress of a wealthy industrialist, Bernier, in whom he soon discovers the man who once sold him to the Gestapo. Bernier is soon found murdered. André deflects suspicion on Jacques, the victim's secretary. Hélène and André's affair ends up being discovered by the police, who seem to see in it the motive for the crime. André surrenders to justice.

The story takes place in the racecourses around Paris. A so-called major sells his tips to naive characters.

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The relationship of a married couple takes an unexpected turn when the husband's boss gets the idea that their ad campaigns need spicing up with eroticism, and chooses his employee's wife as his assistant.

Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.