The film is an adaptation of the 1891 operetta Der Vogelhändler by composer Carl Zeller, with libretto by Moritz West and Ludwig Held, though it incorporates few of the original songs, using them mostly instrumentally or in the background. The plot follows Adam, a Tyrolean bird seller in 18th-century Rhineland, who hopes to marry his beloved Christl, a postmaster's daughter; to secure his future, she arranges for him to perform at court, but complications arise when she is mistakenly suspected of an affair with a philandering prince.

There’s excitement in St. Johann, when the lawyer and notary Dr. Junhnickel from Vienna arrives and brings an offer from a mysterious Brazillian: On the cover of a magazine is a young girl, obviously from the country, and in the background is the village landscape of St. Johann. The Brazilian has fallen in love with the picture and wants to marry the girl. In return for finding her, the village will receive a donation of RM 5,000. Oh boy! The mayor, the shoemaker and the district clerk go off on the search for the girl! They have absolutely no luck in the photo shop, because the photographer is boiling over what he considers unfair intentions and tells them to take a hike. Nevertheless, they find the girl’s address. The model, Christl Wallner is no country girl but rather a ballet dancer, who posed for the photo to earn a litle extra money.

A young woman working as a secretary for a Berlin car business tries to impress a rich Australian visitor by pretending she is a foreign countess.

Klementine Plamershof is a fun-loving young woman. She has long been “confined” to a girls’ boarding school, where she is studying music with growing reluctance.

The head of a squad of maids captures the heart of a wealthy young bachelor.

"Millionaires" is an Austrian feature film from 1937, a comedy directed by Karlheinz Martin. The film premiered on July 31, 1937, in Vienna and is based on a story that illuminates life and love in the social milieu of the time.

This Hungarian musical comedy (English title: Spring Parade) was produced by Joseph Pasternak, who later remade the picture in Hollywood as a Deanna Durbin vehicle. The original 1934 version stars Franciska Gaal as a Hungarian serving girl who heads to Vienna to visit a relative. Stopping over at an outdoor carnival, Gaal is told by a fortune teller that she will enjoy a happy marriage with a handsome and wealthy stranger. Later on, she finds herself at a fancy dress ball, where a good-looking aristocrat, assuming that our heroine is a countess masquerading as a peasant, falls in love with her. Delighted that the fortune-teller's prophecy seems to be coming true, Gaal finds herself in a dilemma when she falls in love with poverty-stricken soldier Wolf Albach Retty. But things turn out OK when Retty, the regimental drummer, composes a hit song which brings him fame and fortune, thereby neatly fulfilling that prophecy.

A comedy of confusion in aristocratic Vienna at the turn of the 19th into the 20th Century: The young Bohemian Countess Antschi Dorival trades places with her friend Martina, because she wants to become an actress and applies as such at the city theatre under a false name. And so, Martina attends the Vienna Opera Ball, posing as the countess. Because of their striking similarity to one another, Martina is confused with the impostor Sonja Lubomirska, who shortly before stole a necklace belonging to the wife of Archduke Johann Sylvester.

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No synopsis available yet.

At the behest of the financially strapped Duke, his nephew, Crown Prince Rudolf, is to marry someone of suitable rank. But Rudolf has no interest whatsoever in his uncle's plans and works under his commoner's name as an engineer in a car factory. Then a certain Count Rasumirski appears before the Duke and explains that the famous operetta diva Vera Naldi is actually a Russian princess who knows nothing of her origins. They hatch a plan to marry Rudolf off to her. But at the theater, Rudolf falls not for the singer, but for the secretary. Instead, Rudolf's other uncle begins to take an interest in Vera. Then, however, it turns out that Rasumirski is an imposter and Vera is not a princess at all...

The seamstresses Franzi and Mizzi have opened up a small shop in a suburb of Vienna. Mizzi is of the opinion, however, that her friend could have a much better life if only she'd marry Karl, the son of the landlord, who has been hot for her for quite a while now. Next store to them lives a rather elegant gentleman, whom Mizzi does not like. One day, an excited woman bursts into the studio, tears off her clothes and begs the girls to act as if they're fitting her for a dress should her husband waltz on in, too. In fact, her jealous husband Stefan does show up and is thrilled to discover that his Gerda isn't cheating on him. But Mizzi and Franzi are positive, that she's been meeting a certain elegant gentleman next door.

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Helene has agreed to marry a man that she isn't in love with. On the day of her wedding her cousin arrives just in time to rescue her and they run away together. They stay with her aged grandmother who assumes the young man (whom she doesn't know) to be the new husband and has prepared a bridal bed for them.

The opera singer Maddalena had been cast out by her family after they learned she was to bear the child of a banker, von Keller, who had seduced and abandoned her. Her return to her native city has her father warn her to remain away, because she is a threat to her family, and her sister Marie's wedding. However, von Keller threatens the reputation of her family with an underhanded banking scheme. He commits suicide, and Maddalena is reconciled with her family.

The wintry mountainscapes of Bavaria provide the backdrop for this airy German comedy. The story is set in motion when young clerk Boenecke (Richard Romanowsky) accidentally delivers a check to the wrong bank. Boenecke's boss Schumann (Walter Steinbeck) suspects the clerk of embezzlement -- especially since our hero has taken off on an extended Alpine vacation with his sweetheart Hilde (Magda Schneider). Before this comic chain reaction can be straightened out, hero and heroine have become entangled with a gang of female pickpockets. Essentially a "moonlight and strudel" confection, Winterachtstraum was perfect escapist entertainment for Magda Schneider's legions of fans.

Romy Schneider has been En Compétition ever since 1957 with Sissi, before coming back to the Croisette multiple times, notably for Claude Sautet’s Les Choses de la vie. This exceptional documentary recounts her illustrious career with passion and dedication.

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No synopsis available yet.

No synopsis available yet.