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A clearly confused girl is found wandering around Stuttgart and can't be understood, because she's speaking in a foreign language. The police take her to some doctors, who eventually believe they're dealing with a Tibetan. Doctor von Aldenhoff takes the stranger in and begins to educate her according to western European standards. In her new home, the girl, Luscha, gets to know Robert Lorm, a rather well-travelled man, and falls in love with him. Eventually, she decides quite unilaterally that they're going to build a new home and life together. A plaster of paris mask of the girl's face is made for the doctors to keep as a remembrance of Luscha. But as soon as the mold is removed from her face, she suddenly seems to become an entirely different woman.

This presentation of 'Waterloo', a film by Karl Grune about the last hurrah of Napoleon, is a fascinating companion to the Abel Gance epic 'Napoleon'. 'Waterloo' presents a tale of several people involved in the final battle. Napoleon and Wellington, of course, but also the Austrian general Blutcher (who is seen as a ladies' man - his scene with a flirty Countess about halfway through the film is priceless; as are his touching scenes with his plain wife (who he imagines to be a young and nubile girl when they get romantic) and some people within his regiment. Not simply a film of war, 'Waterloo' is a story of people, of lovers, of lost opportunities.

Melodrama about a young mountain guide who, as an illegitimate child, becomes an outsider in his village and retreats bitterly into solitude. When he is unjustly blamed for the death of a climber, he sets out on a dangerous first ascent to win recognition and the hand of his beloved bride.

Story of the Kreuzer (cruiser) Emden and his men during WWI, garnished with a love Story, rivalry and heroism.

While in France, the daughter of Copenhagen's police chief meets a fascinating detective who is seeking a criminal professor.

Film by Seitz.