A hikikomori girl falls in love with a woman who is secretly trying to turn her into a CRT.

Collectively authored cut-for-cut remake of the 1929 film of the same name through the lens of internet-based aesthetics. Drawing a lineage from the experiments of Soviet montage to contemporary trends such as sludge content, desktop documentary, corecore, and database cinema, Man with a Movie Camera (2025) attempts to reinvigorate the popular avant-garde project of a universal cinematic language which was originally developed almost a century ago by Dziga Vertov and The Kinoks.

On the night before a pivotal decision, an obsessive poet reconnects with her past loves in order to discover the pattern behind her failed relationships.