Matt Murdock, a blind lawyer with heightened abilities, is fighting for justice through his bustling law firm, while former mob boss Wilson Fisk pursues his own political endeavors in New York. When their past identities begin to emerge, both men find themselves on an inevitable collision course.

Tales from the Darkside is an anthology horror TV series created by George A. Romero, each episode was an individual short story that ended with a plot twist. The series' episodes spanned the genres of horror, science fiction, and fantasy, and some episodes featured elements of black comedy or more lighthearted themes.

After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.

A nutty inventor, his frustrated wife, a philosopher cousin, his much younger fiancée, a randy doctor, and a free-thinking nurse spend a summer weekend in and around a stunning - and possibly magical - country house.

A sequel to the 1977 film Outrageous! Too Outrageous! is about the further adventures of Robin Turner, a gay hairdresser-turned-drag queen nightclub performer.

A poor Harvard student's romance with a girl hits a rough spot when he realizes, on his 21st birthday, that he's in love with her brother.

A sexually charged comedy about a group of friends from college coerced into reuniting for a 'partner-swapping' weekend by their former ringleader, the formidable Charlie.

Opera royalty Luciano Pavarotti brings dignity and power to the title role in this 1982 production. During a squall at sea, Idomeneo -- the king of Crete -- swears to Neptune that if the monarch survives, he'll sacrifice the first person he encounters onshore. Tragically, that person ends up being his son, Idamante (Frederica Von Stade). Maestro James Levine masterfully conducts the orchestra and chorus of the Metropolitan Opera. A musical production that was designed for the "Live From the Met" series, this program was produced by Jean-Pierre Ponnelle.

Don Carlo (1980) Metropolitan Opera. Verdi / italian. King Philip's court is plagued by rebels, family squabbles and intrigue. The Spanish Inquisition tries to exert its influence. The tension finally ignites at the King's coronation, where heretics are to be burned at the stake