A timid magazine photo manager who lives life vicariously through daydreams embarks on a true-life adventure when a negative goes missing.

On a romantic getaway to Iceland, a young American couple wake up one morning to discover every person on Earth has disappeared. Their struggle to survive and to reconcile the mysterious event lead them to reconsider everything they know about themselves and the world.

Felix and Gunni have to search for Völundur the smith, as he is the one who makes the Christmas presents. The search is like an adventure, as the friends enter one labyrinth after another and meet all sorts of villains. But they carry on undaunted, overcoming fear and other obstacles.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Beta signs up for a standup comedy competition despite having never been on stage before. She asks Húgó, the winner of the same competition 10 years earlier for help with her comedy. This awakens a desire for the past in Húgó, while Beta tries to overcome her insecurities.

A college student begins working as a cam girl, with support from her best friend.

Within the walls of the hospital, the duo develops a strong visceral relationship that eventually takes them to an unknown emotional territory bouncing them between supposed fantasy and the vicious reality of life.

Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.

The life of an devoted hobbyist rarely runs smooth but few are faced with such trials and tribulations as that of our humble collector of duck whistles.

A story that follows Salóme, a young woman in Reykjavík, who lives with her best friend and on/off-boyfriend, Hrafn. Everything changes when Hrafn gets another girl pregnant and she moves in with them.

1999's Áramótaskaup, an annual 50-minute TV movie, satirizing the events of the past year.

The time is 20 years and a few months to the millennium, and the unrecognized, self-proclaimed genius Orm Odins has to deal with the age-old existentialist dilemma that is teenage hood. With his final exams looming, his hormones in overdrive and love just around the corner what can a great poet do to survive? Our setting is Reykjavik in the eighties, a city that is going through a growth spur not unlike our eloquent hero. The mullet is just about to put its mark on a unsuspecting generation, there is no TV on Thursdays, only one radio station, beer is still and outlawed commodity and somewhere within the city limits the first female president in the world will see has a dream.

A group of friends goes on their annual salmon fishing trip to relax in the countryside. The newcomers in the group really try their hand at endurance and the tour goes quickly and safely into the sink out of new and old sins.