The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

A young man returns to his countryside hometown to investigate the unclear circumstances behind the death of his father, ostensibly killed by Fascists in 1936, before his birth. As he unravels a web of lies that seems to encompass the whole town, he finds himself entangled in the same web.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

Roman police detectives interrogate a series of potential perpetrators in their struggle to determine whom to arrest for the brutal murder of a beautiful prostitute whose body is discovered in a park on the day of a torrential rainstorm. One by one, the prime suspects -- girl-crazy teenager Nino, pickpocket Canticchia, a soldier on leave, a tourist and a pimp -- recount the events of the day to the police, each insisting he is innocent.

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

On June 30, 1990, in Rome, Marie Christine is getting ready to take her son Pietro and Paolo to their father for the weekend. As the Football World Cup is taking place in Italy, Rome is flooded with supporters; the traffic is chaotic and French-born Marie Christine, who works as a translator, finds a bag that belongs to Miriam, who must leave the next day. Marie Christine decides to find her to return her passport, but one Giuliano Ferrini tries to prevent this. So Marie Christine finds herself navigating through a hot Roman night in a city she doesn't know, among people she never dreamed could inhabit the same city.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string and a G-bestringed waiter.