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Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”

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In the second of Rohmer's moral tales, he examines the relationship between two friends and a girl who at first appears easily exploited. It is a complex tale of feelings and misconceptions, acted out within the head of the main character, as part of Rohmer's attempt to more easily simulate the mindscape quality of literature within a film.

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.

A few months before he died, Jean-Louis Comolli meets up with Dominique Cabrera for some free conversations with Isabelle Le Corff. They talk about cinema, life, love, death and Chassagne-Montrachet wine. There is laughter and smiles. One is not really serious at the age of eighty.

Wanderings during the Cannes and Hyères 1966 festivals. Interviews with Louise de Vilmorin, Jean-Luc Godard, Robert Bresson, Jacques Rivette, Jean-Louis Comolli, François Truffaut. Lunch on the grass of the Cahiers du cinéma, young onlookers on mopeds, children from the surrounding villages, the film portrays an era, a cinephilia, a cinema still in balance between art and industry.

This is a peaceful conversation between two filmmakers, Nicolas Philibert and Jean-Louis Comolli. A conversation, or the pleasure of spending time together. Nicolas Philibert describes with great precision his way of working and invites us to examine the ethical dimension of his process.

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Jean-Louis Comolli and Jean Narboni, former editors at Cahiers du Cinema, interview their former colleagues and fellow travellers during the "Red Years" of the journal between 1968 and1973.

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