Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.

Bolle gets tired of working at the cigar factory and because of his desire for freedom he takes to the road. He and the other hobos have only one problem and that is the mounted policemen chasing vagrants.

While vacationing on a remote German island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.

Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.

A traveling magician and his troupe arrive in a Swedish town in the 1840s, where their act is scrutinized by local authorities and a skeptical medical official. Their stay leads to a series of confrontations that test the boundaries between performance, belief, and deception.

The four wives of four brothers share stories of their marriages as they wait for their husbands in a small, secluded cottage.

Cecilia is in hospital after being subjected to an attempt on her life. Her husband is called to the hospital. Cecilia deliriously mentions a mutual friend. The husband seeks out the friend.

Naima Wifstrand, leading old lady, dressed as a Primadonna presents the variety revue "The Old, Happy 40's", a dark time of angst, depression and derailed, wild happiness. Those were the days. Music, dance, songs and hillarious sketches follow.

It's summertime. The students Allan and Erik returns to their home town. 19-year old Allan is in love with 17-year old Anna-Lena. She rejects his clumsy attempts of telling her, but that's because she is uncertain of her own feelings. The Norwegian singer Lydia Hennert has an accident with her car and she is slightly injured. Allan's father is a doctor and Lydia spends a few days with them. Allan falls in love with her instead, she is a "real" woman and not a girl. But this makes Anna-Lena jealous.

In postwar Sweden, a gifted young pianist’s life is transformed after a tragic accident leaves him blind. Struggling with bitterness, isolation, and the loss of his former world, he finds unexpected support and companionship from a compassionate young woman who helps him rebuild his sense of purpose. As their relationship deepens over the years, both must confront questions of pride, class, and emotional vulnerability in order to move forward.

A fractured portrait of desire and isolation, following a failing marriage and parallel stories of emotional entrapment as memories surface during a train journey through postwar Europe. Told through flashbacks and multiple narrative threads, the film signals Ingmar Bergman’s emerging mature style.

A short documentary capturing behind-the-scenes footage from the production of Wild Strawberries, offering a glimpse of Ingmar Bergman at work with his cast and crew during the making of one of his most celebrated films.

The maid quits at the Sommer family household and because no one in the family can cook they desperately needs a new maid. The son in the family, Åke, is a famous actor at the theater and when the up and coming actress Marianne (who also has a crush on the famous Åke) hears about the Sommers needing a new maid, she seizes the opportunity and goes undercover as a maid to get closer to Åke and the big roles in the theater.

A man on the verge of marriage is haunted by traumatic memories from his childhood.

Two women—a fashion executive and her young model—experience parallel romantic disappointments during a trip to Gothenburg, exposing generational differences in desire, illusion, and emotional endurance. A transitional work in Ingmar Bergman’s mid-1950s cinema.

Brulard, a French civil engineer on assignment in a remote Swedish village, meets Ina, who has been raised in forested isolation by her haggish mother and believes herself to be a witch. He falls in love with her and tries to convert her to civilization; but in the meantime, his female boss, Kristina, has fallen in love with him, while the villagers turn against him for consorting with someone they believe is cursed by the Devil.

Kirre buys a flower for his fiancee Gun on the anniversary of their engagement. Gun's mother, an illusion-free elderly lady, believes that this attention will disappear when they marry.

A young woman faces an arranged marriage imposed by her aunts as the hour of her suitor’s arrival approaches. Adapted for television from Hjalmar Bergman’s one-act play, the film uses intimate staging and close observation to explore coercion and quiet despair.

Old lady Malin Klintbom is being promised a cosy and comfortably life at the residential home she is invited to visit. However, she finds the home impossible to live at and flies in panic to her cabin.

Tells a story about a man named Anthony who loses his wife, to an illness and finds it hard to move on. Although Anthony is now single, he struggles with how to build a new relationship with Tiffany. Anthony is uneasy to love again and pushes her away. He finds a letter from his deceased wife, saying that if something happens, to love and marry again. He is ready to let go, let God and move on.