L'Amour avec un Grand A is a French-Canadian television series which aired from 1988 to 1995. The series explores different complex sexual and taboo issues. Some notable subjects include: Rape, Teen Obsession, Age Difference in love, Homosexuality and Married, Schizophrenia, Spousal Abuse. The series lasted 7 years and was very popular in Quebec. It was written by Janette Bertrand.

Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

After escaping unscathed from a car accident, photo model Simone decides that having a baby is the only way to give her vacant life some meaning. She asks her best friend Philippe to get her pregnant, and he reluctantly agrees, on the condition that they conceive somewhere in a desert, so they leave Montréal on a 24-hour round-trip to Salt Lake City to find a suitable spot.

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

A beautiful stripper hires renowned criminals to exact revenge on those who raped her in her motel room.

A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

A revealing look at the great Quebecois director who gave us such classic films as Mon Oncle Antoine, A toute prendre and Kamouraska: Power of Passion. Amidst the rise of French-Canadian identity and the political struggles of the '60s, Jutra was at the forefront of a group of artists dedicated to social change and attacking taboo.

A woman learns secrets about her family while attending the funeral of her father.

Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.

A stage director learns of his young actors' fears as they are setting up a new play.

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

The unexpected return of his ex-wife and the assembly of a group of protesters both threaten to wreck a corrupt contractor's inauguration party for his new superhighway.

A lonely divorced woman spends her evening in her apartment listening to a phone-in radio show. As she listens to strangers talk candidly about their personal problems, she has to come to terms with her own.

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Two strangers have a fateful one-night stand in Montréal.

A career guidance film about scientific research that shows the scientist as a methodical explorer of the unknown.

A day in the life of a Quebec magazine writer - his fortieth birthday - from his dream before waking to his last act before sleeping. He looks back over his life, his thoughts, and his loves.

30-year-old Quebec City native Gisèle lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.