A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

A scruffy garbage boy becomes the pupil of famed gunfighter Talby, and the stage for confrontation is set when the gunman overruns the boy's town through violence and corruption.

A lecherous governor of Naples in 1680 lusts after the wives of several peasants, particularly after the miller's wife Carmela. The miller himself plans to avenge his honor by seducing the wife of the governor.

Two jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

The umpteenth adaptation of Dumas' novel finds d'Artagnan and his friends promoting the love affairs of Anne of Austria and the Duke of Buckingham, incurring the wrath of the Cardinal and exposing themselves to the cold cruelty of Milady de Winter. Also featured are the tender Mme Bonacieux, the hilarious Planchet, the Queen's ferrets and Bethune's executioner, against a backdrop of clanging swords.

A man and a woman love each other, but they can’t marry because he’s ashamed of his unjustly incarcerated mother. What’s more, he loses his eyesight in an accident.

A kidnapped mobster persuades his captors to help him rob platinum ingots from a train.

The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to their baby boy. Giulio's mother is against them: first she sends her son abroad and then has the baby kidnapped, making Luisa think the boy died in a fire.

Squire Pierre St. Laurent returns from wars in India to 17th-century provincial France to find his estate confiscated by governor Narbonne, for back taxes, and resold to Katrina, a Dutch Countess. Katrina offers to return Pierre's property if he will help her get possession of the 'Star of India,' a fabulous sapphire, held at the moment by Narbonne.

The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town.

In this comedy, a guru’s groupie plans to seduce him so she can number him among her many conquests.

Stefano and Maria have a marriage by proxy while he is working abroad in Canada. When she is mistakenly accused of abandoning her own child and sent to jail, Stefano finds out and decides to annul their marriage.

In this sequel to Nobody's Children, Guido still longs for Luisa, who has become a nun. Then he meets Lina, a chorus dancer who is a dead ringer for his former lover.

Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.

Beautiful gold-digger Sonia mistakes Antonio, a waiter in a Neapolitan hotel, for Arab Prince Bey of Agapur and makes an appointment with him for the following day in Capri, and Antonio goes there behind the backs of his wife and mother-in-law. A lucky series of circumstances actually does transform him into the prince of the island.

A man is hospitalized in a neurological clinic, suffering from amnesia. After seeing his photo in the newspaper, Mrs. Ballerini realizes that he is her husband and brings him home; then Mrs. Polacich recognizes him as her husband.

Antonio De Papis is a lawyer and his specialization is separation by mutual consent. He is contrary to marriage because he sees so many of them going wrong. So when his nephew calls on him asking for his approval to his marriage, Antonio suggests to him to spend a day in his office to see what marriage really is.

An evil Czarist landowner had mistreated the father and friends of an officer.The officer wreaks vengeance by committing masked coach robberies and insinuates himself into his enemy's castle by pretending to be a French teacher.

After a novice nun learns of the sudden death of her parents, she leaves the convent to manage the family business and look after her teenage sister. Both of them fall prey to a womanizing mechanic with psychopathic tendencies.