The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

A deranged prison warden with a nasty habit of killing escapees forces the boyfriends of his teenage twin daughters into a shotgun wedding, after they claim to be pregnant. All hope seems lost, until the husbands hatch a madcap plan to rob a money train to freedom.

A young scanner with extraordinary telepathic powers transforms into a lethal killing machine after taking one of her father's experimental drugs.

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When a worldwide plot to divert gold which was placed in central banks all across North America is investigated, Pierre Gauthier is summoned to lead the inquiry. Gauthier however is soon betrayed, and finds himself going head to head with the "capo" of Montreal Mafia.

A heterosexual man pretends to be gay in order to keep his career in the world of art, which causes many misunderstandings with his wife, and mother.

Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.

A teenage inmate's boxing skills land him in the middle of a turf war within prison walls.

The rather convoluted plot follows Santiago, a car thief and supposed electronic genius who works undercover for the police and is attempting to shut down an auto theft ring. Various crime organizations are involved, each plotting against each others. To complicate matters, several law enforcement branches are also competing against each others.

An abandoned caboose becomes a junkie's hideout, a multiple murder has been committed. A police investigation leads nowhere, the crime remains unsolved, and Marceau, a hardened cop, resigns in the aftermath. But his troubles don't end there: someone is stalking him and his life is in danger. To save himself, Marceau recruits Camille, a young woman drummed out of the police academy for her inability to fire a gun. They make a pact: Camille agrees to flush out Marceau's potential murderer and Marceau, in exchange, undertakes to remunerate and train her. Camille plunges into Marceau's seedy underworld and encounters a raft of suspects. As Camille sinks deeper and deeper into this sordid world, she comes to terms with its violence and understands that the line between good and evil is narrow indeed. From this insight she draws the strength that had previously eluded her. Marceau's legacy... But who, exactly, is Marceau?