Rejseholdet is a Danish television crime series starring Charlotte Fich, Mads Mikkelsen and Lars Brygmann. Produced by Danmarks Radio, the program aired 32 episodes spanning four seasons from 2000 to 2004. Each episode revolved around an elite mobile police task force called "Unit One" that travels around Denmark helping local police solve crimes. Cases portrayed in the show were loosely based upon actual incidents of sensational crimes such as murders, kidnappings, cross-border sex traffic and child pornography. Rejseholdet won the 2002 International Emmy Award for best drama series.

Court drama about a Copenhagen law office and the cases and personal entanglements of its small group of attorneys.

A policewoman is doing her best at the job, but struggles to be there for her son.

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Detectives and best friends Andreas and Simon lead vastly different lives; Andreas has settled down with his beautiful wife and son; while Simon, recently divorced, spends most of his waking hours getting drunk at the local strip club. But all that changes when the two of them are called out to a domestic dispute between a junkie couple, caught in a vicious cycle of violence and drugs. It all looks very routine – until Andreas finds the couple's infant son, crying in a closet. The usually collected policeman finds himself confronted with his own powerlessness and is shaken to his core. As Andreas slowly loses his grip on justice, it suddenly becomes up to the unruly Simon to restore the balance between right and wrong.

Strisser på Samsø is a Danish television series in 12 episodes, written and directed by Eddie Thomas Petersen. Produced by Per Holst Filmproduktion, it was first broadcast on TV2 in 1997-1998. The story tells how Christian Torp, a police officer who has lost his wife in an unsuccessful robbery, brings his daughter Sille to the Danish island of Samsø looking for peace and quiet. They have difficulty in integrating into a society full of problems where everyone knows everything about everybody, but they find a friend in Ulla, a secretary. Among others, it stars Lars Bom, Amalie Dollerup and Jesper Milsted. The series was entitled "Island Cop" when broadcast in subtitled form on Ireland's TG4 channel.

Rebecca has inherited her grandmother's Gothic mansion and brings both her best friend an her boyfriend for a weekend. While exploring the crypts they discover an old dusty book, which describes the life of a vampire. As the story unfolds, it becomes apparent that the vampire was Rebecca's great grandfather, Rico.

The couple of Rikke and Bo feel very lucky when they offer them a huge but dilapidated luxury apartment in Copenhagen. To pay for the necessary renovations they look for other partners to join the project, and so five new apparently perfect residents begin their new lives. But soon will strange and inexplicable events begin to happen?

Kresten, newly wed, is on the threshold of a great career success in his father-in-law’s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

13-year-old Benjamin discovers that his mother didn’t die in an accident as he was led to believe. The trail leads to high-ranking officials in the Danish Secret Service. "Trust no one!", he is told.

One afternoon, Jesper sees a young girl fall overboard from one of the harbor's expensive motorboats. He jumps into the water and rescues her. Her name is Line. It is summer in Rungsted, and the music is blaring at full volume. Line is a young and beautiful girl who has been in a relationship with Victor from Rungsted for five years. Jesper is a healthy, unspoiled guy from Holbæk who comes to Rungsted to look after a beachfront villa. Victor, Line's boyfriend, who was 'born' with a diamond-studded 24-carat gold spoon in his mouth, passes the time with his transgressive 'games' with his friends.

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.

Four high school friends meet up in an abandoned house to play 'Backstabbed', a game of murder with headphones and plastic weapons. Meanwhile, a serial killer is leaving a trail of blood on his way to the house, and soon the game of murder becomes much more than make-believe.

PUK SCHARBAU plays Lise Nørgaard in the epic film adaptation of her fascinating life story. In a chronicle of both love and war, masterfully directed by Peter Schroeder, we follow the woman who would later give us 'Matador', from her early childhood to her controversial career as a journalist with a Denmark of yesterday, and a Europe in flames as convincing backdrop.

A group of school-mates form a resistance group in nazi-occupied Denmark.

A psychological drama about Ulrich, a workaholic whose life takes a drastic turn when he is involved in a fatal accident. As his guilt grows, his life slowly crumbles around him. Next, an unpleasant event from his past rears its unforgiving head.

Two comedians set out to make their own exploitation video.

Mia, 15, is at odds with everyone. School is hell and her mother is always on her back. Mia is only at peace when she is running - something she is good at. On a downtown shopping street she meets Zack, 16, who runs with a gang of kids who want to become parent independent and live as pickpockets. Mia joins them, but finds the pressure difficult. Moreover, the police have their eye on them. Mia has a choice, to keep ignoring her problems or face up to them.

Bella's father died tragically, and now the teenage girl lives in close proximity to her mother, Maj. They protect each other from the outside world, so to speak, but one day the outside world knocks on their door. Maj meets a new man, and Bella becomes involved in helping a young Bosnian refugee obtain asylum. Has Maj let go of her daughter too soon? Is Bella capable of helping both herself and others?