The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields "with vision and creativity who affected and inspired the German public that year", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.

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Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Dem Täter auf der Spur is a German television series.

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.

In Cold War-era West Berlin, American Coca-Cola executive C.R. 'Mac' MacNamara is tasked with playing babysitter to his boss' spoiled 17-year-old daughter Scarlett, who proves more difficult than anticipated when she reveals that she is pregnant by a Communist.

A comedy loosely based on the life story of Johann Friedrich Böttger, the inventor of Meissen porcelain: In Berlin, the pharmacist Fritz Böttger gains a reputation for being able to make gold and is imprisoned on the orders of the Prussian king. Following in the footsteps of a young lady, he flees to Saxony, but is also imprisoned in Dresden and forced to make gold. Although he does not succeed in this, by chance he discovers how to make porcelain instead. Augustus the Strong appoints him baron and director of the royal porcelain manufactory.

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Prince Klemens von Metternich orders Friedrich Gentz, one of his aides, to keep the Duke of Reichstadt---Napoleon Francois Joseph Charles---son of Napoleon and heir to the French throne, from thinking about French politics. Gentz enlists the help of ballerina Fanny Elsser, all the rage in several European capitals, to keep the Duke distracted.

When a significant quantity of valuable gemstones is to be transported to South America by plane, those responsible are naturally extremely nervous. Everything must be perfectly planned, every possible risk averted.

Women are being sent to an all male settlement. The marriages are planned in advance, but not everything goes according to plan.

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In 1848, the freedom-loving Hungarian people, led by Ludwig Kossuth, rose up against the hated rule of the Austrian Habsburg dynasty. In its expansionist policy, the Austrian monarchy had long relied on Hungarian feudal lords who betrayed the interests of their people. The anger of the rebels was directed against the Austrian oppressors and their Hungarian supporters. Against the backdrop of these historical events, the personal fate of the Hungarian patriot Maria Ilona is shown.

Berlin's theatre crowd is excited about the new operetta "Frau Luna". But for the head of the city's vice police, who was invited to the dress rehearsal, the costumes for the ladies onstage are a bit too revealing. He demands the show be cancelled as offensive. The president of the Thusneldenbund has taken it upon himself to alert everyone about the growth of immorality in the capital. The theatre director Knopp has come up with an idea to convince these "fine" gentlemen to let the operetta go onstage again: He intends to win over the friendship of the moral police and then nothing will stand in the way of "Frau Luna" once more being performed.

Vienna, 1956. After Soviet tanks crush the Hungarian uprising, soldier-of-fortune Michael Reynolds is hired to help a threatened Hungarian scientist escape from Budapest.

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

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At the behest of the financially strapped Duke, his nephew, Crown Prince Rudolf, is to marry someone of suitable rank. But Rudolf has no interest whatsoever in his uncle's plans and works under his commoner's name as an engineer in a car factory. Then a certain Count Rasumirski appears before the Duke and explains that the famous operetta diva Vera Naldi is actually a Russian princess who knows nothing of her origins. They hatch a plan to marry Rudolf off to her. But at the theater, Rudolf falls not for the singer, but for the secretary. Instead, Rudolf's other uncle begins to take an interest in Vera. Then, however, it turns out that Rasumirski is an imposter and Vera is not a princess at all...

To escape dreary country life, a count travels to Italy with a friend every year. Instead of the alleged purchase of horses, the reason he gives to his mother as to why he needs to travel to Italy, he spends his time chasing after the ladies.