As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life.

"The Roman Banquet, the golden glories, the unrivaled luxuries, the wine, the dance, the song, the beautiful women, the sumptuous splendors that taxed a barbaric world for a night of feasting and revel-- Re-created for your entertainment in the most colossal drama produced", reads an ad in the Daily Argus of New York. Unione Cinematografica Italiana's lavish production of the oft-told tale stars Emil Jannings as Nero.

A socialite masquerades as a notorious femme fatale to win back her straying husband during a costume party aboard a doomed dirigible.

Assunta, a commoner of Naples, is scarred by her lover Michele for jealousy.

After Michael Carter's fiancée commits suicide, Michael vows to seek revenge on his wealthy family, who sabotaged their marriage. He drives across the country angrily, and lands up at a saloon, where he is shot by an Indian, Pete. Pete's girlfriend, Tonita nurses Michael's wound and falls in love with him. Michael realizes this, proposes marriage to Tonita - a perfect revenge for his prejudice family. They marry and he takes her to New York, in full Indian dress hoping to embarrass the family.

On seaside holiday, Nero, Poppea, Seneca and their friends and family prepare a great show where Nero will star. When his mother Agrippina arrives with her German praetorians and decides Nero has to conquer Britain, she's asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.

Republic of Venice, 1760. Pursued by a vengeful husband, the intrepid womanizer Casanova, who symbolizes the decline of the city and its fall into debauchery, manages to escape and, by a circuitous route, arrives in Saint Petersburg, where he will be involved in the many plots that threaten the throne of Czar Peter III…

Madrid, Spain, 1880. Angelina, daughter of the pompous Brigadier Marcial, is tempted by the womanizer Germán, who asks her to run away together, just after her boyfriend, Rodolfo, asks her to do exactly the same thing with him.

A beautiful opera star kept by a rich older man falls in love with a young clergyman.

Paris, France, 1784. After living many tribulations, Joseph Balsamo, known as Count Cagliostro, an infamous adventurer, enigmatic magician and necromancer, experienced physician and ruthless swordsman, triumphs among the members of the decadent French aristocracy. But a bold foretelling about a very prominent noblewoman causes his fall in disgrace… (Partially lost film.)

In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.

A mirror in a creepy old Bavarian castle has the magical ability to reveal the future of whoever looks into it while the full moon shines brightly. A series of characters looks into the glass to learn their fate, and most are unhappy with what they learn. In the end, the hero smashes the glass and then commits suicide. After he is dead, the mirror magically reassembles itself into a whole as before.

A doctor rescues a young woman who is about to throw herself into the river and takes her to the hospital. The woman learns of three very sad stories revolving around suicide.

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

India's first international co-production. The love-is-stronger-than-death story sees Savitri, the daughter of King Ashwapati and a goddess, fall for Satyavan who is destined to die within a year. He is killed by a tree and his soul is gathered by the god Yama but he returns to life and there is a happy ending for the lovers. Some nudity and other 'erotic' images were removed to satisfy the censors.

The attaché of a former government of the Ukraine marries a rich Russian woman who wants to climb in society whereas her unnatural affection for another woman keeps her from really becoming his wife. Her daughter falls in love with her stepfather, family drama. The mother and the other woman are murdered, so there is a happy-end for husband and daughter.