We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

In 1955 in Italy, race car driver Jed Cavalcanti suffers a mishap during the Molte Miglia rally and finds himself in a small town with a few familial surprises.

Maria lives with her 18-year-old sister, Caterina in a small apartment, tutors her at home, lets her out only for dance classes. Yet Maria sees no reason to hide her work as a prostitute from her sister. Men come in and out of the apartment constantly, and Caterina turns up the volume on her music to drown out the sounds from the next room. The film soon reveals that the sisters are in love with each other, a situation that cannot stand, but exactly what prompts the characters' behavior is rarely clear. Soon after Caterina's belated discovery of her heterosexuality, she is invited into the bedroom with Maria and a client.

A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house.

Registe, talking on a blade is an Italian documentary about the Italian Cinema signed by women and about the pioneer of the Silent Cinema Elvira Notari (1875-1946) plays by Maria De Medeiros. The directors interviewed are the most important Italian women directors: Lina Wertmüller, Cecilia Mangini, Francesca Archibugi, Francesca Comencini, Wilma Labate, Cinzia Th Torrini, Roberta Torre, Antonietta De Lillo, Giada Colagrande, Donatella Maiorca, Ilaria Borrelli and others.

Mourning the death of her father, Giulia is contacted by him from the other dimension.

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