Without a family, penniless and separated from her sister, a beautiful chaste woman will have to cope with an endless parade of villains, perverts and degenerates who will claim not only her treasured virtue but also her life.

A mental patient in a psychiatric hospital is escorted into an operating room, where electrodes are attached to her scalp. The doctors dissect his brain and we enter the brain with a loud, jarring cry. In this space detached from reality, a group of actors perform elaborate interpretive dances. They jump, land on top of each other, place their hands on their bodies and form various shapes.

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The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.

Antonio, a young man with a modest job in a small town, leads a monotonous existence until he is transferred to Barcelona to work in an architecture studio. From that moment, a new life opens before his eyes. He befriends Lorenzo, one of his classmates. Lorenzo is more experienced than Antonio and shows him a new, more sophisticated life in which Antonio feels out of place. Also, Antonio falls in love with Lorenzo's sister.

Enrico is a struggling journalist in the Rome of 1945. He receives a phone call informing him that his younger brother Lorenzo has died. Enrico recalls their long and difficult relationship; he was brought up by their poor but warm-hearted grandmother, Lorenzo was raised as a gentleman by a wealthy local aristocrat. Reunited in the Florence of the 1930s, Enrico becomes his spoilt brother's keeper, forever haunted by a sense of guilty responsibility towards a man he both hates and loves.

Tommaso Puzzilli is a boy who grew up in the suburb of Pietralata outside Rome. Not having a job, Tommaso and his friends are committing crimes to make money.

A man and a woman, both disappointed with their partners, meet by chance at the beginning of the night. They will spend the night together drinking red wine in Barcelona's Chinatown.

1868. Revolutionary Mathias Sandorf is determined to oust the dictatorship oppressing his country. The people see him as their liberator. Denounced by his banker, Mathias is arrested and sentenced to death. He manages to escape and takes refuge in a fishing village where he prepares a new uprising.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

John leaves for Barcelona in search of Cristina, who two years ago went to the city. On arrival he is hosted in a cousin's house and there he meets Monica that falls madly in love with him. When he finally finds Cristina, things do not happen as he expected, the time and the city have changed her and she is not sure to continue the relationship. Meanwhile, Monica tries unsuccessfully to call the attention of John.

After WWII, a young man without perspective arrives in Rome. Living in a loft, he gradually discovers the city becoming a tour guide.

An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.

A woman uselessly insists on entertaining a man by telling him stories that don’t interest him as much as his works. A film about the impossibility of telling a story that, to this end, concentrates on the story of two people who have a relationship that is destined to fail.

A chronicle of the different reactions of a girl when she finds that her boyfriend decides to end their relationship.

In 1969, Jesús Franco and Christopher Lee shot Count Dracula in Barcelona. At the same time, Pere Portabella became aware of this filming, vampirizing it in Cuadecuc, Vampir. Genre and Art-house films had never been so close. Drácula Barcelona tells the story of these two movies.

A prostitute promises to the Virgin Mary not to practice her trade for a year if she heals her sick child.

Raphael plays a singer who searches for his classical pianist brother in Buenos Aires, with the brother eventually revealed playing in the squalid bar.

Inspired by a real-life event that took place in Calabria at the end of World War 2, the film is the story of a young farmer who led peasants to revolt, after being falsely accused of murder.

No synopsis available yet.