Sylva Varescu is an operetta singer performing Kálmán's Die Czardasfürstin through Europe with great success. Before going to Vienna she meets handsome Prinz Weylerstein and they fall in love. Offered a contract for America, she doubts until she finds out that he is already engaged to a countess.

Two German soldiers in the Norwegian Campaign.

An enhanced and sentimentalized story of love, honor, rivalry, and retreat. The traditional laws of the patriarchal environment and severe conflicts of the heart. The action takes place in Herzegovina and Stolac, Bosnia. The film depicts the Bosnjak from a German point of view.

In Stockholm a young female law student investigates a series of jewel thefts that have been baffling the police.

No synopsis available yet.

The opera singer Maddalena had been cast out by her family after they learned she was to bear the child of a banker, von Keller, who had seduced and abandoned her. Her return to her native city has her father warn her to remain away, because she is a threat to her family, and her sister Marie's wedding. However, von Keller threatens the reputation of her family with an underhanded banking scheme. He commits suicide, and Maddalena is reconciled with her family.

A love story between officer von Warp coming from a wealthy family and salesgirl Therese. When the social rules of the time would force the officer to resign from service in order to marry Therese the situation becomes tense.

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

East Germany's contribution to the 1957 Cannes Film Festival was the wartime melodrama Betrogen bis zum Juengsten Tag. Had the film been released in the U.S., the title would probably have translated to Duped Till the Last. The film condemns the Nazi mindset by concentrating on a particularly odious cover-up. When his son is involved in the accidental killing of a girl, a Gestapo general pulls strings to save the boy from prosecution. The general manages to pin the blame for the killing on a group of Russians, whereupon he gives the men under his command carte blanche to round up and execute as many innocent Russians as they wish. This act of brutality is contrasted with the pangs of guilt suffered by the son and his co-conspirators.

Hanna is deeply worried about her husband Thomas Bracht's fidelity because he had a rendezvous with the singer Jeannette Danieli. She leaves him and meets with the singer for a heart-to-heart. Very soon, she realizes that her jealousy was completely unfounded. Her flirtation with a travel companion is also quickly forgotten, and she returns to her husband, full of remorse. When Thomas learns of her affair, they decide to put the past behind them and face the future with confidence.

A small banking family is put to the test: Brigitte, the wife of the banker Sparrenberg, has a secret: she was once the lover of the fraudster Baron Gaffris, who once used her to get close to well-off businessmen. Now Gaffris is trying to use her to trick her husband. After a fight between Brigitte and Gaffris, Brigitte’s daughter Ina seeks out the baron in an attempt to help her mother. Afterwards, the baron’s suddenly found dead on the floor. Brigitte takes all the blame, goes to the cops and admits to having stabbed Gaffris.

No synopsis available yet.

The wintry mountainscapes of Bavaria provide the backdrop for this airy German comedy. The story is set in motion when young clerk Boenecke (Richard Romanowsky) accidentally delivers a check to the wrong bank. Boenecke's boss Schumann (Walter Steinbeck) suspects the clerk of embezzlement -- especially since our hero has taken off on an extended Alpine vacation with his sweetheart Hilde (Magda Schneider). Before this comic chain reaction can be straightened out, hero and heroine have become entangled with a gang of female pickpockets. Essentially a "moonlight and strudel" confection, Winterachtstraum was perfect escapist entertainment for Magda Schneider's legions of fans.

When Bartos, the director of the Odeon variety theater, cancels an artist at short notice, he hires the Terrys out of necessity, whose parents were successful variety artists, but who had not yet received an engagement themselves. Both are supported by Tobs, a friend of their parents. While blonde Mara Terry arrives punctually for the first rehearsal, her dark-haired sister Kora is late like a diva and acts aloof and snippy. At their first performance together the next day, Kora is overtired from partying the night before. During a dangerous act in which she has to balance her upside-down sister on her head, she becomes careless...

A soldier thinks about leaving the army for a woman. His friends try to stop him.

Counterfeit money is discovered near the Bodensee. The investigators for the "Reichszentrale für Falschmünzerei" get wind of it and open up an investigation. When the band of counterfeiters try to recruit a young graphic artist into their ranks, he quickly rats on them to the police. The investigation soon leads to Switzerland, where the nest of criminals is stormed with the help of the Swiss police.

An opera tenor replaces a humble performer in a honky tonk show and wins the heart of the soprano.

A British industrialist offers a job to a German who kindly rescued him when they were pilots on opposite sides of the Great War, but his wife becomes attracted to the foreigner. Complications ensue.

The daughter of a wealthy art dealer is blackmailed, and then his former wife is found dead in a Paris hotel.One of the four suspects turns out to be actually a police detective.

Carola has been running the family-owned circus alone since her husband’s death, but she suddenly finds herself at odds with her three adult sons who are also performance artists and want to have a say in how the business is run. The family discord leads Carola to turn her back on the circus, leaving the three inexperienced sons in charge. This turn of events forces the family to learn to work together or face bankruptcy.